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TitleDateType
1 Dance hacking: digital technology and the performing body2014-08Text
2 Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda2012-05Text
3 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture2011-08Text
4 The me of yours and the me of mine: an investigation of subjective self and objective self in dance2011-08Text
5 Towards a decided body and choreography2015-08Text
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