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Title | Creator | Creation Date |
51 |
|
Titled (Art as Idea as Idea) (Universal) | Joseph Kosuth | 1967 CE |
52 |
|
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
53 |
|
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
54 |
|
Iphigenia / Titus Andronicus | Joseph Beuys | 1969 CE |
55 |
|
I Like America and America Likes Me | Joseph Beuys | 1974 CE |
56 |
|
One and Three Chairs | Joseph Kosuth | 1965 CE |
57 |
|
How to Explain Pictures to a Dead Hare | Joseph Beuys | 1965 CE |
58 |
|
First Investigation (series): Art as Idea as Idea: Nothing | Joseph Kosuth | 1967 CE |
59 |
|
Semiotics of the Kitchen | Martha Rosler | 1975 CE |
60 |
|
Abuse of Power Comes as No Surprise | Jenny Holzer | 1983 CE |
61 |
|
5 Gallons Water Base Tempera Paint Poured Directly upon the Floor and Allowed to Remain for the Duration of the Exhibition | Lawrence Weiner | 1969 CE |
62 |
|
The Projects Class: History | David Askevold; Dan Graham | 1969 CE |
63 |
|
Using a Black Hard Crayon, Put Fifty Small Dots, at Random, over the Surface of the Stone. Then Connect Each dot with a Straight Line | Sol LeWitt | 1971 CE |
64 |
|
Two Correlated Rotations | Dan Graham | 1969 CE |
65 |
|
Likes: A Computer Astrological Dating Placement Service | Dan Graham | 1967 - 1969 CE |
66 |
|
The Projects Class: History | David Askevold; N.E. Thing Co. Ltd. | 1969 CE |
67 |
|
The Projects Class: History | David Askevold; Lawrence Weiner | 1969 CE |
68 |
|
5 Works, Page 3 of Exhibition Folder | Lawrence Weiner | 1969 CE |
69 |
|
The Projects Class: History | David Askevold; Sol LeWitt | 1969 CE |
70 |
|
Language ÷ Emotion + Syntax = Message | Les Levine | 1973 CE |
71 |
|
Jig for Robert Ryman's 'Two Stones' on the Press | | |
72 |
|
Within a Twenty Inch Square Area, Using a Black Hard Crayon, Draw Ten Thousand Free-hand Lines, of Any Length, at Random | Sol LeWitt | 1971 CE |
73 |
|
Trademarks | Vito Acconci | 1971 CE |
74 |
|
The Office: A Typewriter Print | Claes Oldenburg | 1974 CE |
75 |
|
The Projects Class: History | David Askevold; Robert Smithson | 1969 CE |