Author | Title | Subject | Date | Publication Type | ||
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1 |
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Peng, Shih-Ya | An exploration of vulnerability through creative process and performance | Creative process; Performance; Vulnerability | 2012-08 | thesis |
2 |
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Hill, Scotti | The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | Performance; Self-portraiture | 2011-08 | thesis |
3 |
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Hardwig, George Scott | Dance hacking: digital technology and the performing body | Dance; Digital; Performance; Screendance; Technology | 2014-08 | thesis |
4 |
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Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis |
5 |
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Niu, Li-Sha | The me of yours and the me of mine: an investigation of subjective self and objective self in dance | Choreography; Dance; Objective self; Performance; Subjective self | 2011-08 | thesis |
6 |
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Dryden, Nathan | Towards a decided body and choreography | Choreography; Dance; Passive; Performance; Presence; Sequencing | 2015-08 | thesis |