TO
| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 76 |
 |
Cheney, David R. | Monsters in medieval and renaissance travel literature: a study in Credulity and skepticism | 1949 | thesis | |
| 77 |
 |
Hurtado, Laura Allred | Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol | Breastfeeding; Catherine opie; Feminism; Judy Chicago; Motherhood; Sackler center for feminist art | 2011-08 | thesis |
| 78 |
 |
Moore, Amanda Jane | Motion pictures | 2006-05 | thesis | |
| 79 |
 |
Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis |
| 80 |
 |
Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
| 81 |
 |
Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
| 82 |
 |
Tachinni, Eugene Ronald | Paper & tape | Text and interpretation; Imagery - criticism and interpretation | 2008-05 | thesis |
| 83 |
 |
McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
| 84 |
 |
Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis |
| 85 |
 |
Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 86 |
 |
Nelson, Matthew A | Please feel free: sensation, awareness, and choreography | Choreography; Mind and body | 2008-05 | thesis |
| 87 |
 |
Bahr_Halie | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | thesis | |
| 88 |
 |
Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
| 89 |
 |
Gerke, Brian Douglas | Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | thesis | |
| 90 |
 |
Quittner, Clifford James | Promised valley: a design thesis | Theatre design; Outdoor theatre; Salt Lake City; Utah | 1970-06 | thesis |
| 91 |
 |
Dykes, Stefanie | Querl dismantling the book | Methodology of Literacy Material Preparation; Artist books | 2010-07 | thesis |
| 92 |
 |
Sales, Jennifer Leite | Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | Brazilian Video Art; Escravizador-Escravo; Gilberto Freyre; Homosexual Relations; Ivens Machado; Racial Democracy | 2016 | thesis |
| 93 |
 |
Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | |
| 94 |
 |
Lang, Alexandria Amelia | Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | comparative anatomy; Delacroix; feline imagery; Gericault; lion; Stubbs | 2016 | thesis |
| 95 |
 |
Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
| 96 |
 |
Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
| 97 |
 |
Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |
| 98 |
 |
Womack, Erica | Running from conscience: the compliant individual | Modern dance | 2011-08 | thesis |
| 99 |
 |
Blaylock, Nicholas | Salad Days: work, covenant, and the child | Dance | 2017 | thesis |
| 100 |
 |
Ward, Kristine Butler | Search for an authentic self in the choreographic and performance process | Choreography; Modern dance; Authenticity | 2008-04-17 | thesis |