MFA Final Projects
 
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TitleCreatorDescriptionDepartmentDate
26Dormiens vigils (while sleeping, watch)Webster, Maryann S.Dreams about a disappearing ecosystem and an increasing awareness of the fragile nature of our existence inspired the eighteen works in this exhibition. These works express a deepened concern through understanding of life and nature as fragile, precious and sacred. I have interpreted the gallery s...Art/Art History2001-05
27The endurance of memoryCharles, JamesMy Master of Fine Arts exhibition consisted of nine prints and five mixed-media paintings. A variety of print making techniques were used. Photographic elements were incorporated with a Xerox-transfer method. The mixed-media paintings were done with traditional and nontraditional materials. My ...Art/Art History1998-03
28Ephemeral TeaThomas BettsAs Tom Betts researches his ontology through the creative act of art a hyperrealist oil painting is produced that alludes to society's consumption of time in an age where temporal states of awareness and interaction are governed by technology. He uses the subject of a teacup, a family heirloom that ...2010
29Evolutionary IntuitionKent J. BartonThis body of work is the result of exploring new directions. The desire to push and to open myself to new information has always been my driving force. Making these forms required me to work and think about clay in a different way, building on my vocabulary with the material. Producing this series m...2002
30Evolutionary intuitionBarton, Kent J.This body of work is the result of exploring new directions. The desire to push and to open myself to new information has always been my driving force. Making these forms required me to work and think about clay in a different way, building on my vocabulary with the material. Producing this series...Art/Art History2002-05
31Exhaling the earthHedrick, AntoniaMy Master of Fine Art exhibit consisted of nine translucent, fiberglass body shells installed with seven graduated photographs, four sculptural briefcases, five oil on canvas paintings, and 40 home-made artifacts in plexiglass boxes. I completed this chronology of works during two years of gradua...Art/Art History1997-06
32Exploration of the art objectDeCola, Jacob NicholasI am a sculptor who works with materials, an object maker concerned with both physical and conceptual process. A critical part of my method of working is to allow a record of this process to exist in the finished sculptures. Perhaps the most difficult and rewarding part of my graduate experien...Art/Art History2001-08
33FactitiousLewis J. CrawfordThis paper is a journey into how I discovered the word factitious and re-defmed it for my artistic practice. I have broken down the paper into four different chapters that explore and explain this process. "Narrative Is Necessary," the first chapter, discusses the history of my research on narrati...Art/Art History2009-05
34Feeding the Hedonic GhostHolly Cobb2015
35The four gracesAshby, M. GraceThe Four Graces is the culmination of two years of graduate work in the Department of Art and Art History at the University of Utah. All but three pieces in my MFA exhibit were inspired by early- to mid-Twentieth-Century photography. It was the space and the placement of the figures that I wanted t...Art/Art History2004-12
36Four stage & 3 months in-betweenRomo, VanessaTime stops right before change occurs. As you cease to exist in your usual state of mind, you find yourself alone, reflecting, and ask what lies ahead? This sliver in time feels like a terminal. Years pass and you move far from the moment you thought was the death of newness. It becomes a distant pa...Art/Art History2017-07
37Gather-piece-stitch: the art of placeDownen, CélinePhilosopher Gaston Bachelard celebrates the "naive wonder we used to feel when we found a nest. This wonder is lasting, and today when we discover a nest it takes us back to our childhood or, rather, to a childhood; to the childhoods we should have had." I use the nest as a metaphor in my art with t...Art and Art History2016
38Ghosts, Storytelling and Ominous FiguresCandace von HoffmanThis final project paper reflects my graduate research based in my experience of growing up in Alabama, my family's involvement in White supremacist systems in the American South, and critical Whiteness. In the past two years, the arts-based research I have completed in pursuit of my MFA has examine...2021
39Growing PainsHannah NielsenAs an artist, I was also raised to love and revere painting, and I carry a passion for it. However, as I have grown and read, and gained a stronger appreciation for feminist and outsider art, craft has become a second passion that informs my practice. There is a thematic conflict here that reflects ...2021
40Hand to mouthRamachandran, Sylvia MeenaJust as we make tools to try to overcome our limitations, we make gestures to try to connect with people and things beyond ourselves. In this exhibition, I consider the utensil as a poetic extension of the body. The work follows a decade of contemplating the meaningfulness of daily tasks and of th...Art/Art History2006-08
41The hat peopleKimball, PatriciaThe paintings in this exhibit are the result of two years of exploration dealing initially with landscape and then primarily with the figure. Looking back, the challenges were similar regardless of subject: first, how to expand the subject beyond an "objective" reality more or less faithfully r...Art/Art History2001-05
42Herbarium obscura: shadow of natureRivera, Nancy E.Nature is ephemeral, fragile, and wild. Over time, we have learned to tame and control it: We grow lawns, cultivate houseplants, and manufacture synthetic facsimiles of nature for aesthetic and ornamental purposes. In this way and more, we manipulate how we experience and understand it. In my exhibi...Art/Art History2016
43Iconography of the trailBrunvand, Sandra LynneA focusing element in my work is to confront the theme of life and death and how this dichotomy could be cast as metamorphoses of states of being. In many ways this is such a fundamental theme of our existence as to be at once too simple and too pervasive to be fully comprehended. As I co...Art/Art History2004-12
44Identifying as MonstersHolly RiosThe monsters in my work are not monsters by a traditional understanding, but rather utilize monstrosity as a tool of disruption to interrogate the male gaze. This body of work surveys feminine construction, exploitation, and the male gaze through divisive media. Intentionally sourcing imagery from t...2023
45Improvisational structureHixon-Longaker, VictoriaI believe archetypal rhythms create life cycles and are manifest in the emotional, philosophical, and physical world. This environment is continuously churned by forces both positive and negative. My work is a direct response to this environment and its impact on the human experience. The power o...Art/Art History1996-06
46In my neighborhood: an installationHart, AllynMy thesis installation, titled "In My Neighborhood," combined collage prints, paintings, and sculptural elements. The installation was loosely based on the structure of an ideal 1950's suburban American home. Found objects played a prominent role in both two- and three-dimensional constructions. ...Art/Art History1996-08
47InAppropriateEric EreksonThe subject I have chosen, the naked/nude, is relatable to most people. It brings to the foreground ethical questions that stir public dialog, wanted or not. The naked and the nude figure are unavoidably connected to us by nature, and then confused by the stresses of social, cultural, economic, and ...2014
48IntersectionDolberg, Daniel GlenThe unifying theme that runs throughout the paintings in my MFA show is that of space versus form. Light versus darkness and the interaction and relativity of color are secondary themes that I explore in my paintings. The subject matter I have chosen to explore in-depth is the architectural form o...Art/Art History2005-12
49Interstices: On Reconciliation with the Natural WorldEric Robertson2021
50The InterviewsNolan FlynnThrough the combination of inquisitive mark-making and active painting techniques, my work lives as a visual record of the excitement and emotions I feel when I'm making art. While at the moment of creation, notations reflecting on the experience of painting coexist, while speaking different visual ...2019
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