| | Title | Creator | Description | Department | Date |
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1 |  | 100 anos Revolution Mexicana 1910-2010 / 100 years MEXICAN REVOLUTION 1910-2010 | Luz del Carmen Paredes Almeida de White | This is a final project paper based on the celebration of the centennial of the Mexican Revolution 1910-2010. 100 aiios, Revolution Mexicana 1910 - 2010 is a multimedia exhibition inspired by the celebration of the Centennial of the Mexican Revolution. The exhibition is composed of a series of magne... | | 2010 |
2 |  | 100 anos: revolucion Mexicana 1910-2010 (100 years Mexican revolution 1910-2010) | White, Luz del Carmen Paredes Almeida de | This is a final project paper based on the celebration of the centennial of the Mexican Revolution 1910-2010. 00 aiios, Revolution Mexicana 1910-2010 is a multimedia exhibition inspired by the celebration of the Centennial of the Mexican Revolution. The exhibition is composed of a series of magneti... | Art/Art History | 2010-08 |
3 |  | A Loving Struggle | Kate Wingard | By using objects associated with the western notion of "home", my MFA thesis exhibition,"A Loving Struggle", looks at relationships, communication, and the awkwardness of authenticity. Home objects and furniture suggest ideas of comfort, stability, and community. Reference to the domestic space brin... | | 2019 |
4 |  | A study in form: process and results | Burgos, Francisco | This thesis documents the interests that inspired the body of work that is the core of this MFA; it mentions the biographical antecedents that led to it; it muses on the thoughts and dilemmas that were present while the work progressed; it describes the technical details of such progre... | Art/Art History | 2006-12 |
5 |  | A Woman's Place | Zuzanna Joanna Smolarkiewicz | The examination of personal identity inevitably leads to questions-the most common; of which is what enables the perpetuation of the self. What is necessary for some past or; future being to be you? But there are other questions of equal interest and importance.; Who am I? Am I myself because of my ... | | 2007 |
6 |  | Across the Road | Meikle, David W. | The rolling foothills, rugged mountains, and sharp red rock found in the West have always held great appeal to me. I am a keen observer of the environment around me. I am constantly making mental notes about what is happening to the land at various times of day and at different times of year. A... | Art/Art History | 2006-05 |
7 |  | Aerial Alchemy | James, Jan | On a trip to Egypt, as I was floating down the Nile, it was easy to envision the alchemists observing the mystical powers that transformed the desert. Black silt borne down the river is deposited on the land when the water overflows its banks during flood time. The black earth gives a rich lining ... | Art/Art History | 2010-05 |
8 |  | The art of staring | Graham, Richard Nathan | My Master of Fine Arts exhibition consists of six monoprints on paper, two acrylic paintings on paper, and eighteen oil and/or acrylic paintings on canvas. My goal has been to explore new ways of paint application, to further develop my skills in dealing with formal issues in painting, and to reach ... | Art/Art History | 1996-03 |
9 |  | The art of the book | Powers-Torrey, Mary Noreen | These six books were produced between May 1999 and November 2000. The process of making these books became inherently involved with the process of formulating the story. The story is my own story. These books that I have written, designed, illustrated, printed, and bound are made of my experience... | Art/Art History | 2001-05 |
10 |  | The art world expanded | Truxes, Anna | This paper explores the evolution of the concept of the art world, starting with the going-away, in order to show that effective art criticism requires knowledge of the art world. The nature of criticism implies that a critic logically identify, define and evaluate a work of art. Reasons are use... | Art/Art History | 2008-12 |
11 |  | Automatic Processing Pitfalls | Justin Watson | I used this text to examine processes by mirroring the internal; structures of my mental processes. This paper is arbitrary to the; source of the experience examined, although this arbitrariness is; also an impetus to the survival mechanisms depicted. When we; elucidate our meanings we grow more los... | | 2016 |
12 |  | Automatic processing pitfalls | Watson, Justin | I used this text to examine processes by mirroring the internal structures of my mental processes. | Art & Art History | 2016 |
13 |  | Be Somewhere | David Habben | | | 2017 |
14 |  | Beyza Kilic MFA Ceramics project paper 2016 | Kilic, Beyza | | | 2016 |
15 |  | The big unknown | Beard, Keith | My MFA experience has taught me that when I allow myself to be vulnerable to the unknown, it creates a better outcome for my work as an artist. My unknowns are based on fear of not knowing how my choices will play out, and a fear of not achieving my full potential. The unknown also represents my rel... | Art/Art History | 2016-08 |
16 |  | Bodily housed | Perreault, Alison Marie | Exhibiting work has to do with communication. Like the Berkeley illustration of a tree falling in the forest, a receiver must be present in order for the sound to be heard. In the sharing of the work is the desire to communicate the experience. My Master of Fine Arts graduate exhibition consists of... | Art/Art History | 1999-05 |
17 |  | Break the square | Wang, Fei | This thesis traces the process of my two years' study. After graduation from college in China with a BFA degree in graphic design, I still felt something was missing in my education, that is, the typography experiments. It became one of the reasons I chose to pursue graduate study in the US, a Weste... | Art/Art History | 2004-08 |
18 |  | Change through process | Coberly, Claudia Furnish | After maintaining a professional painting career for more than twenty years, my primary objective for graduate school has been to gain maturity in my painting. I was determined to expand my work ethic beyond self-imposed limitations. I believe growth and renewal can be achieved through the willin... | Art/Art History | 1998-12 |
19 |  | Concerning the spiritual in Spiral Taffy | Christensen, Kent David | My thesis documents the body of work I have built since May 2004. This work was the result of an exploration o f the Still Life tradition since the 16th Century. I looked at the unique aspects and historical evolution of the Still Life tradition from the 16,h Century to the present. An examination ... | Art/Art History | 2005-12 |
20 |  | Connection/Disconnection | Tara Carpenter | My work explores the way people form connections, both inside their brains, and with other people. Neurologist Joseph LeDoux says, "The particular patterns of synaptic connections in an individual's brain, and the information encoded by these connections are the keys to who that person is" (3). In o... | | 2012 |
21 |  | Craft as a Bridge Between Humanity and the Natural World | Jessica Booth | As people have faced major life and societal altering events that cause them to evaluate the systems they are living in and disengage from them, they seek more sustainable methods of living and community building that nature seamlessly incorporates into its infrastructure. As we engage with the natu... | | 2024-05 |
22 |  | Creative visions of community | Moyer, Sarah Elizabeth | Wondering how to utilize my freshly issued BFA, I became captivated by the publicly accessible format of mural paintings. Always on display, murals can be enjoyed by everyone, regardless o f their age or socio-economic background. Many have become landmarks in their community, often catalysts for ne... | Art/Art History | 2008-08 |
23 |  | Deficient | Tyler Spurgeon | The work in Deficient is composed primarily of large-scale oil paintings, yielding from two bodies of work that have merged to become something greater than the sum of their individual scopes. The combined body of work is able to more clearly encapsulate the ideas I am interested in exploring. At th... | | 2012 |
24 |  | Design methods inspired by the Bonneville Salt Flats | Conger, Jeffrey Scott | This creative project examines the unlikely topic of automobile racing at the Bonneville Salt Flats to foster new ways of working with graphic design layout. Through this project I created four graphic design methods by studying the principles and methodologies of hot rodders and dry lake racers... | Art/Art History | 1998-08 |
25 |  | Design of Nature | Bunker, Carol Ann | This paper embodies three main topics that repeatedly surfaced throughout my graduate experience. What is a design process? An intense study of the thing that you are designing. The design process is different for each individual depending on his or her attitude, character, and personal experience... | Art/Art History | 1998-06 |