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Title | Creator | Description | Department | Date |
1 |
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The art of staring | Graham, Richard Nathan | My Master of Fine Arts exhibition consists of six monoprints on paper, two acrylic paintings on paper, and eighteen oil and/or acrylic paintings on canvas. My goal has been to explore new ways of paint application, to further develop my skills in dealing with formal issues in painting, and to reach ... | Art/Art History | 1996-03 |
2 |
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Automatic Processing Pitfalls | Watson, Justin | I used this text to examine processes by mirroring the internal structures of my mental processes. This paper is arbitrary to the source of the experience examined, although this arbitrariness is also an impetus to the survival mechanisms depicted. When we elucidate our meanings we grow more lost. M... | Fine Arts | 2016 |
3 |
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Be somewhere | Habben, David | I've always been intrigued by the idea of creating motion within my work. Simple dynamics in composition or figure have failed to truly capture, from my perspective, the sense of fluidity that can be found so readily in other media, such as film and animation. It seems odd to be so concerned about i... | Art/Art History | 2017-05 |
4 |
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The big unknown | Beard, Keith | My MFA experience has taught me that when I allow myself to be vulnerable to the unknown, it creates a better outcome for my work as an artist. My unknowns are based on fear of not knowing how my choices will play out, and a fear of not achieving my full potential. The unknown also represents my rel... | Art/Art History | 2016-08 |
5 |
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Four stage & 3 months in-between | Romo, Vanessa | Time stops right before change occurs. As you cease to exist in your usual state of mind, you find yourself alone, reflecting, and ask what lies ahead? This sliver in time feels like a terminal. Years pass and you move far from the moment you thought was the death of newness. It becomes a distant pa... | Art/Art History | 2017-07 |
6 |
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Gather-piece-stitch: The art of place | Downen, Celine | Philosopher Gaston Bachelard celebrates the "naive wonder we used to feel when we found a nest. This wonder is lasting, and today when we discover a nest, it takes us back to our childhood or, rather, to a childhood; to the childhoods we should have had." I use the nest as a metaphor in my art with... | Art/Art History | 2016 |
7 |
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Herbarium obscura: shadow of nature | Rivera, Nancy E. | Nature is ephemeral, fragile, and wild. Over time, we have learned to tame and control it: We grow lawns, cultivate houseplants, and manufacture synthetic facsimiles of nature for aesthetic and ornamental purposes. In this way and more, we manipulate how we experience and understand it. In my exhibi... | Art/Art History | 2016 |
8 |
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MFA exhibition | Bench, Ryan Joe | The subject of my paper is a body of work representing my personal interpretations, experiences, memories, and processes of creating images using the mediums of printmaking, painting and drawing. The subject matter represents broad visual sketches of the landscape, not direct visual copies; but inst... | Printmaking | 2017-09 |
9 |
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Multicultural: Facts and findings from the two years I spent living under a microscope | Mehr, Annette | This final project paper is an accompaniment of my thesis work: a series of 11 oil paintings of bacterial cultures. These bacterial cultures were collected from volunteers, throughout 2016-2017. The paintings of these cultures are defined as portraits of the people who volunteered their bacteria. Th... | Art & Art History | 2017-12 |
10 |
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Tom Betts & ephemeral realism | Betts, Thomas John | As Tom Betts researches his ontology through the creative act of art a hyperrealist oil painting is produced that alludes to society's consumption of time in an age where temporal states of awareness and interaction are governed by technology. He uses the subject of a teacup, a family heirloom that ... | Art/Art History | 2010-05-05 |