Curriculum-based images for use in teaching, research, and learning.
| Title | Creator | Creation Date | ||
|---|---|---|---|---|
| 1 |
 |
Monument to the Third International | Vladimir Tatlin | 1920 CE |
| 2 |
 |
Project for the Monument to the Third International | Vladimir Tatlin | 1919 - 1920 CE, recreated in 1968 for exhibition at the Moderna Museet, Stockholm |
| 3 |
 |
Composition | Joaquín Torres-García | 1931 CE |
| 4 |
 |
Column | Naum Gabo | 1922 - 1923 CE, reconstructed in 1937 CE |
| 5 |
 |
K VII | Lászlo Moholy-Nagy | 1922 CE |
| 6 |
 |
Spatial Composition 4 | Katarzyna Kobro | 1929 CE |
| 7 |
 |
Ball, Plane, and Hole | Barbara Hepworth | 1936 CE |
| 8 |
 |
Oval Hanging Construction No. 12 (view 1) | Alexander Rodchenko | ca. 1920 CE |
| 9 |
 |
Traveler | Liubov Popova | 1915 CE |
| 10 |
 |
Painterly Architectonic | Liubov Popova | 1917 CE |
| 11 |
 |
Dobrolet Poster | Alexander Rodchenko | 1923 CE |
| 12 |
 |
A Negra (The Black) | Tarsila do Amaral | 1923 CE |
| 13 |
 |
Calmaria II (Marinha) [Calm II (Sea)] | Tarsila do Amaral | 1929 CE |
| 14 |
 |
Decorative Motif Study for the Olivia Guedes Penteado Pavillon of Modern Art | Lasar Segall | c. 1924 CE |
| 15 |
 |
Composição Abstrata (Abstract Composition) | Vicente do Rêgo Monteiro | 1922 CE |
| 16 |
 |
Abstract Geometric Details in Vertical Format for Olivia Guedes Penteado's Modern Pavilion | Lasar Segall | c. 1924 CE |
| 17 |
 |
Retrato de Tarsila (Portrait of Tarsila) | Cícero Dias | 1929 CE |
| 18 |
 |
Composição (Composition) | Georges Valmier | 1921 CE |
| 19 |
 |
Untitled (Geometric Abstract) | Ismael Nery | |
| 20 |
 |
Stained Glass for Mário Cunha Bueno's Residence | John Graz | c. 1930 CE |
| 21 |
 |
Untitled | Cássio M'Boy | c. 1935 CE |
| 22 |
 |
Untitled | Cássio M'Boy | c. 1935 CE |
| 23 |
 |
Manifesto do III Salão de Maio (Manifesto of the Third May Salon) | Flávio de Carvalho | 1939 CE |
| 24 |
 |
Untitled | Arthur Amora | late 1940s CE |
| 25 |
 |
Composição Geométrica (Geometric Composition) | Antonio Gomide | c. 1922 CE |