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Title | Creator | Description | Department | Date |
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100 anos: revolucion Mexicana 1910-2010 (100 years Mexican revolution 1910-2010) | White, Luz del Carmen Paredes Almeida de | This is a final project paper based on the celebration of the centennial of the Mexican Revolution 1910-2010. 00 aiios, Revolution Mexicana 1910-2010 is a multimedia exhibition inspired by the celebration of the Centennial of the Mexican Revolution. The exhibition is composed of a series of magneti... | Art/Art History | 2010-08 |
2 |
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Across the Road | Meikle, David W. | The rolling foothills, rugged mountains, and sharp red rock found in the West have always held great appeal to me. I am a keen observer of the environment around me. I am constantly making mental notes about what is happening to the land at various times of day and at different times of year. A... | Art/Art History | 2006-05 |
3 |
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Aerial Alchemy | James, Jan | On a trip to Egypt, as I was floating down the Nile, it was easy to envision the alchemists observing the mystical powers that transformed the desert. Black silt borne down the river is deposited on the land when the water overflows its banks during flood time. The black earth gives a rich lining ... | Art/Art History | 2010-05 |
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The big unknown | Beard, Keith | My MFA experience has taught me that when I allow myself to be vulnerable to the unknown, it creates a better outcome for my work as an artist. My unknowns are based on fear of not knowing how my choices will play out, and a fear of not achieving my full potential. The unknown also represents my rel... | Art/Art History | 2016-08 |
5 |
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Concerning the spiritual in Spiral Taffy | Christensen, Kent David | My thesis documents the body of work I have built since May 2004. This work was the result of an exploration o f the Still Life tradition since the 16th Century. I looked at the unique aspects and historical evolution of the Still Life tradition from the 16,h Century to the present. An examination ... | Art/Art History | 2005-12 |
6 |
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Creative visions of community | Moyer, Sarah Elizabeth | Wondering how to utilize my freshly issued BFA, I became captivated by the publicly accessible format of mural paintings. Always on display, murals can be enjoyed by everyone, regardless o f their age or socio-economic background. Many have become landmarks in their community, often catalysts for ne... | Art/Art History | 2008-08 |
7 |
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Deficient | Spurgeon, Tyler | The work in Deficient is composed primarily of large-scale oil paintings, yielding from two bodies of work that have merged to become something greater than the sum of their individual scopes. The combined body of work is able to more clearly encapsulate the ideas I am interested in exploring. A... | Art/Art History | 2012-05 |
8 |
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Factitious | Lewis J. Crawford | This paper is a journey into how I discovered the word factitious and re-defmed it for my artistic practice. I have broken down the paper into four different chapters that explore and explain this process. "Narrative Is Necessary," the first chapter, discusses the history of my research on narrati... | Art/Art History | 2009-05 |
9 |
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Final project paper | Smolarkiewicz, Zuzanna Joanna | The examination of personal identity inevitably leads to questions - the most common of which is what enables the perpetuation of the self. Who am 7? Am I myself because of my past, my present, or what I hope for in my future? Or does my identity emerge from my personal relationships with others,... | Art/Art History | |
10 |
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Final project paper | Carpenter, Tara | My work explores the way people form connections, both inside their brains, and with other people. Neurologist Joseph LeDoux says, "The particular patterns of synaptic connections in an individual's brain, and the information encoded by these connections are the keys to who that person is" (3). In o... | | |
11 |
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The four graces | Ashby, M. Grace | The Four Graces is the culmination of two years of graduate work in the Department of Art and Art History at the University of Utah. All but three pieces in my MFA exhibit were inspired by early- to mid-Twentieth-Century photography. It was the space and the placement of the figures that I wanted t... | Art/Art History | 2004-12 |
12 |
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Hand to mouth | Ramachandran, Sylvia Meena | Just as we make tools to try to overcome our limitations, we make gestures to try to connect with people and things beyond ourselves. In this exhibition, I consider the utensil as a poetic extension of the body. The work follows a decade of contemplating the meaningfulness of daily tasks and of th... | Art/Art History | 2006-08 |
13 |
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Herbarium obscura: shadow of nature | Rivera, Nancy E. | Nature is ephemeral, fragile, and wild. Over time, we have learned to tame and control it: We grow lawns, cultivate houseplants, and manufacture synthetic facsimiles of nature for aesthetic and ornamental purposes. In this way and more, we manipulate how we experience and understand it. In my exhibi... | Art/Art History | 2016 |
14 |
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Intersection | Dolberg, Daniel Glen | The unifying theme that runs throughout the paintings in my MFA show is that of space versus form. Light versus darkness and the interaction and relativity of color are secondary themes that I explore in my paintings. The subject matter I have chosen to explore in-depth is the architectural form o... | Art/Art History | 2005-12 |
15 |
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Left behind | Moore, Jeremiah Lee | This project paper contains a description of the development of my thesis exhibition. The introduction covers just over a year of work on a wood construction project, research on medieval maps, and how both endeavors influenced the advancement and outcome of my paintings. The second section titled ... | Art/Art History | 2008-08 |
16 |
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MFA thesis show by: James McGee | McGee, James | The body o f work represented it this packet reflects on remembered and imagined experiences from childhood. Mostly symbols from a suburban world, the subject matter includes above ground pool and BMX bikes; the people portrayed are my family. These paintings illustrate what is specific about memor... | Art/Art History | 2005-06 |
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Motion pictures | Moore, Amanda Jane | Art cannot be created in a bubble. Motion Pictures is no exception. This body of work is a culmination of my education, location, and personal interaction with pop culture. Without my move from Atlanta to Salt Lake City, I would not have become so obsessed with my subject matter. Without my subje... | Art/Art History | 2006-05 |
18 |
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Paper & tape | Tachinni, Eugene Ronald | This final project paper has two components; text and imageiy. The first component, the text, has two parts. The first part is a collection of four personal narratives written by the artist, contained in the first four chapters. The second part is a response to an assignment given in a course ca... | Art/Art History | 2008-05 |
19 |
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Prime Property | Liebich, Thomas | This Final Project Paper is concerned with my art project Prime Property. The final exhibition of the project opened on August 24, 2007 and ran through September 14, 2007 in the Alvin Gittins Gallery of the University of Utah. In this paper, I'm attempting to shed light on my rational and intentio... | Art/Art History | 2008-05 |
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Project paper | Ringger, Kirsti Asplund | Hegel believed the aim of a human mind is to know itself, but that a human mind develops a notion of itself within a community of other minds, and that throughout history, humans collectively build upon what has gone before and improve. Art is one way that the collective knowledge is learned by eac... | Art/Art History | 2010-10 |
21 |
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Querl dismantling the book | Dykes, Stefanie | When an artist adopts an intuitive working methodology, the creation of images or objects often appear before a final clear conceptual idea is defined. My artistic practice changed dramatically with my desire to dismantle books, to unburden myself from outdated or discarded texts, and to fold them ... | Art/Art History | 2010-07 |
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Recollection | Jorgensen, Eva Christina | I would like to thank the following: my committee, Justin Diggle, Maureen O'Hara Ure, and Kaiti Slater, for their helpful criticism and advice; my fellow graduate students, especially Zuzanna Smolarkiewicz, Thomi Liebich, Meredith Prevot, and Leah Moses Gandhi, for their insight, camaraderie, and h... | Art/Art History | 2007-08 |
23 |
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Reflection | Lockett, Steven Dennis | My art is based on my life. These life experiences acquired fuel my imagery. They speak a personal language of emotions both positive and negative. Using the human figure as my subject, I look for interesting ways to capture the essence of my thoughts as I create an image. The focus is on an inn... | Art/Art History | 2006-04 |
24 |
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Ritual - ceremony - immortality | Freeman, Etsuko Ogura | The following pages describe my experience in the University of Utah's Master of Fine Arts graduate program in ceramics. The technical aspects are not the main focus. The focus is on the symbolism, ritual and ceremony of the installation, "Ritual - Ceremony - Immortality."The challenge was to sea... | Art/Art History | 2005-12 |
25 |
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Rural decline | Hill, Jay David | Driving past Burley, Idaho on my way to Boise for what must be the umpteenth time, I pass an aged and worn out motel sign, broken and unlit, perched far above the highway on three naked metal poles. The motel, once an oasis for the road-weary traveler, is gone. The sign stands proud but weary, in th... | Art/Art History | 2006-08 |