Author | Title | Subject | Date | Publication Type | ||
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76 |
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Cheney, David R. | Monsters in medieval and renaissance travel literature: a study in Credulity and skepticism | 1949 | thesis | |
77 |
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Hurtado, Laura Allred | Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol | Breastfeeding; Catherine opie; Feminism; Judy Chicago; Motherhood; Sackler center for feminist art | 2011-08 | thesis |
78 |
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Moore, Amanda Jane | Motion pictures | 2006-05 | thesis | |
79 |
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Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis |
80 |
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Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
81 |
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Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
82 |
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Tachinni, Eugene Ronald | Paper & tape | Text and interpretation; Imagery - criticism and interpretation | 2008-05 | thesis |
83 |
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McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
84 |
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Lyver Harris, Emily Rose | Performing the document in Francis Alys's re-enactments (2001) | Francis Alys; Mexico City; Re-enactments | 2013-12 | thesis |
85 |
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Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
86 |
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Nelson, Matthew A | Please feel free: sensation, awareness, and choreography | Choreography; Mind and body | 2008-05 | thesis |
87 |
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Bahr_Halie | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | thesis | |
88 |
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Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
89 |
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Gerke, Brian Douglas | Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | thesis | |
90 |
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Quittner, Clifford James | Promised valley: a design thesis | Theatre design; Outdoor theatre; Salt Lake City; Utah | 1970-06 | thesis |
91 |
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Dykes, Stefanie | Querl dismantling the book | Methodology of Literacy Material Preparation; Artist books | 2010-07 | thesis |
92 |
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Sales, Jennifer Leite | Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | Brazilian Video Art; Escravizador-Escravo; Gilberto Freyre; Homosexual Relations; Ivens Machado; Racial Democracy | 2016 | thesis |
93 |
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Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | |
94 |
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Lang, Alexandria Amelia | Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | comparative anatomy; Delacroix; feline imagery; Gericault; lion; Stubbs | 2016 | thesis |
95 |
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Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
96 |
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Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
97 |
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Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |
98 |
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Womack, Erica | Running from conscience: the compliant individual | Modern dance | 2011-08 | thesis |
99 |
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Blaylock, Nicholas | Salad Days: work, covenant, and the child | Dance | 2017 | thesis |
100 |
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Ward, Kristine Butler | Search for an authentic self in the choreographic and performance process | Choreography; Modern dance; Authenticity | 2008-04-17 | thesis |