| Title | Stella Ruess dance scrapbook |
| Photo Number | P1194n02_07 |
| Description | Scrapbook kept by Stella Knight Ruess containing photographs, articles, poems, and notices related to dance performances from 1913 to 1952. |
| Date | 1913; 1914; 1915; 1916; 1917; 1918; 1919; 1920; 1921; 1922; 1923; 1924; 1925; 1926; 1927; 1928; 1929; 1930; 1931; 1932; 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952 |
| Textual Date | 1913 to 1952 |
| Subject | Ruess, Stella Knight, 1879-1964--Archives; Ruess, Stella Knight, 1879-1964--Photographs; Dance--Photographs |
| Spatial Coverage | Los Angeles (Calif.); Los Angeles County (Calif.); California |
| Collection Number and Name | P1194 Everett Ruess Family Photograph Collection |
| Holding Institution | Multimedia Archives, Special Collections, J. Willard Marriott Library, University of Utah |
| Finding Aid | https://archiveswest.orbiscascade.org/ark:80444/xv230197 |
| Rights | |
| Type | Image |
| ARK | ark:/87278/s62k1b66 |
| Setname | uum_map |
| ID | 1496614 |
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I like a hill when the bright blue sky I knew her for my own. Holds the vertical sun like a lonely eye- Across the town She came to me, No more we dance alone. I like a hill when the race is run-- When the crimson heart of the weary sun Burns on the breast of the quiet earth And the dusk stalks over her purple girth. I like a hill When the stars find birth. Mabel F. Blakeslee, "fliiio "wifio‘n. 4;.» n. II! 1 ,.. . ..,»A,_~ .. kA A -. _-4 When the feathered tribes forget to call And the moon's a phantom barge on a wall. I like a hill When the noon is tall. M‘s Cum? F§rb 9‘5?" N» 177:2. ggemfi‘t ,1" 7131\vokal Proitt‘tflqflb . r . .I; try. 1 I}; I .17.}{siéff titltxvl L a:\J 5.! ll! .1!:Inlil}{.ll'xl.l » 33‘! z. [Iii "rt!!! i‘I:0£?[lffxl((2111.1113; kl'l.»t1i5.€|fv|r)rrriflir$lulliin. i FLORENCE TREADVVELL BOYNTON of- With the recent birth in a cozy out- relation to the movements of ordinary door arbor of her sixth child, Mrs. Boyndancing," with a reservation. She says ton, the pioneer for natural clothes in true or accurate rhythmic gymnastics are California, has reached the consummaas different from ordinary dancing as of her desires. She has lived her pure dancing is from the common whirl- tion own unique life, ignoring the criticisms ing about and fast flinging of feet, but, of the conventional, dressing in the simnevertheless, rhythmic posturing is ple garments of the Greek, and reveling dancing-dancing worthy of earnest at- e on and with the children as fast as they cam tention, fascinating to a high degree. . the green sward out-of-doors inspiring the loftiest thoughts and attend- Mrs. Boynton has lectured in New ant ecstasy of soul and well being. V'VashYork, Boston, ington, and San Fran- cisco; has stood bare- footed before refined audiences in those cities and told mothers present some things about raising children that opened their eyes [and brought their seri- ous attention"; to our mOst {important institu- tion, the public school. She showed how pure dancing", affords children and their mothers an avenue? for the escape 'of theii‘ffiiérvous energy, lending é grace and poetry: to‘=~ their daily actions ; she rings the knell of danger by calling attention'to the baralmost air-tight h racks " in whic our children are taught mathematics, thei r grammar, and geog7 raphy. The costume advocated by Mrs. Boynton is almost primitive in its simplicity, having but a slit in the back and two buttons to hold it on; "It is readily seen that this mode simpli- fies dressing to a won- derful extent. She has creations elaborate made after this design. On the roof, where the mother and her children ,..sleep. their eyes greeting the blue little daughters Rhythmic posturing of Mrs. Boynton‘s sky, the little folks have tljeir first lesson. Fa‘ OVV 3*"; VII-Y 33V\ St "90%;" 30k (Sl'leit‘ A: M ix) SS 6: SK 341$? at Canny? SCLLAS ‘ BERKELEYVDAIL‘Y GAZETTE . . \\ L _ 1-:- {cal and Dramatic Events" 3‘3 . d‘ff‘" ‘1" 4‘ -J OEloel Quitzow and her brother, Durevol, children of Sulgwynn dultzow, Berkeley dance teacher, re-enact a rhythmic movement of the dance which caught the eye of Stephen Beams, renowned sculptor, at who turned it into stone. The statue, in back, will be unveiled during a New Year's party to be held B uena Vista Way, 2800 home of the young Quitzow's grandparents, Mr. and Mrs. Charles c. Boynton, the --Gazette photg: V. ‘1 q Danc'ers' Statueto Be Unveiled At New Year's Eve Festival , By GRACE McKNIGHT I As the outstanding feature of a New Year's Eve party tobe given . tonight by Sulgwynn Quitzow, a statue of lher son, Durevol, and daughter, OElo-el, will be unveiled. The statue, the work of Stephen Beames, is notable for the skillful manner in which the sculptor has caught the rhythmic movement ‘of the youngeriQuitzows in dance action. The unveiling will take place at the home" anthem andparents, in Boston, and continued his studies at Beaux Arts in New York, and Mr. and Mrs. Charles ,. 2800' Buena Vista Way; The, sculptor, StepheiigBeames, under the internationally famous was born in India. His her was sculptor, Alvin Polasek of the Art an officer in the Britiiih Staff Institute of Chicago. Corps and a personal ‘L‘friend of Rudyard ,Kipling. "Beames has art objects on the Colorado campus; in the Evanston War Memorial and the Chicago The _;_ family piOneered northe . katchewan in Cvanada,‘and ' lived in a log cabin until 13 years old. He served to 2: ». 0 an at the front with the Theological Seminary, portrait busts in the Universities of West Virginia, Chicago, Notre Dame and army dufing the first Wofld War Beames follOWS the true, classic i 1-7 \ w Northwestern. tradition modelling his subjects. and holds a 'cita-ti-on from the King with realism and sympathetic in-. i of England. . . , ,sight. He regards the Quitzow'; ‘ from ‘rs hon" with sculptures "as one of his finestJ _ ,.~:;_;, . "He graduated éworks-1"to date. the Schggtrpgrfine Are axed Praia i ,l l l ii' l _ W111»;"aw ,, . ; ' ENWOMEN AFTERNOON SESSION . Mrs. McCabe ls Hostess to Los Angeles Literary» Group At Home Among the pleasant affairs of the week was the meeting of the Los Angeles Branch of the League of American Penwomen. held yes~ terday afternoon at the home of Mrs. "Guy Stuart McCabe and her sister, Miss ‘Nellie E. Ziegler, 1086 Prospect boulevard. ‘ Mrs. Mary B. Steyle of San Di~ ego1 vice-president of the California League of American Penwomen, was honor guest. Mrs. Adeline Marshall Durlin, president of the Los Angeles branch, presided. Dr. Lorena Breed of Pasadena gave an interesting account of her medical work in India. Mrs. Ralph Waldo Trine had as her guest, Mrs. William Crosby Bennett of New York City. Tea was served in" the patio, Where a program of interpretative dancing was given by Mrs. Stella Knight Ruess. .41, MC Cab: G BrAQ vx. .. «J ' JL. CV Men Wflflte\ "[188" 21 9- mm l\l\~tsl1l:+el lllfitwm. 11m "mi-1&1} ilvmim Elntflh‘o Mag l1.1\(llvsl'41~1lll 13011 final hailitiitel Wadi @1de M1111 11/111 mt 11311 llmv 01Wmailiikmlat .1 o lain/11121...; $111111 9;wk't‘tdrg'fi A E11111. ; he: 61" Q ant‘)fi 1 3‘ M EQM‘LCa m". = ,. \161- ‘2. -1, s... "figures-pa '5 1 ‘- CALIFORNIA ' ART‘CLUB BULLETIN -A 7-." ., EVRNSDAL%__\IQ+E,NOR'ITH,,V,EBMQN1‘, AVENUE THE PATIO DANCE (d friend of the (111/), ins/fired by the (/elighfful performance (It the C. [1. C. on June 15th, sends in this poem.) JULY' 1929 Young pine trees, standing Vigorous, Stretch forth their sheltering arms to guard The silent pool‘ set like a gem, ) Ashine with lilies, on the sward. ECCLESIASTIQUE-(Se/zummm) DOROTHY WAGNER The magic lights reveal a tall Pure maid. To tones in solemn key She lifts her arms to heaven in prayer. And bows in sweet humility. VVALZE CAPRlCE-(sz‘t) GEORGIA GRAHAM A whirl of gauzy veils, and from Their midst a spirit rises fair- That drifts and floats and hides in clouds, And soars on wings of balmy air. LO'I‘US LAND-(Scott) XENIA ZARINA So still, composed and poised She stands; her lotus-bud, in truth, (The symbol of that far-off land) As precious as her glittering youth. I BALL-( Ch opin ) MICHIO ITO Amazing Ito, lithe of limb, Wildly forceful as a boy, Now plays at toss and catch. He leaps And flies, in free and rhythmic joy! STELLA KNIGHT RL‘ESS. ‘ I .. "V "‘4 "Wu..-"e‘ ;,»»~Gw"_wmm;-W Th Old Orchard Enjoys Adult" Dance Class. The Interpretative Dancing Class ,. invited a few friends to one of its _ - Friday evening lessons at the Old Or- ,' '7. chard School last Friday evening. Af- 7;; ' 'j 1 7 the regular strenuous limberingup exercises, the following solos were danced: "Dorothy," by ,Francis Scott, as marked by simplicity, naturalness and spontaneity. Mrs. Hodgkins appropriately interpreted a "Bacchanale" in purples with a cluster of grapes, her dancing being characterized by skillful technique and rollicking abandonment. In "Echoes of the Ball" Mrs. Ruess danced daintily and ' .7 * : ' considerable variety of exprés- ' ' " sion. Miss Kuntz, in red, interpreted ' " MacDowell's "Wild Rose," exhibiting splendid control in slow movements. ‘ ' To Nevin's "Narcissus" Mrs. Noyes, with youthful verve, portrayed the i-‘Greek myth of that name. ' ' Two ensemble numbers, a mazur‘ka f '~ and Mozart's Minuet, made delightful patterns of grace and color. l The climax came when the guests ‘ danced with. considerable‘"pep"the «1 Virginia Reel. The surprise of the evening was rendered by Mrs. MacMahon (the ‘ mother of little Benjamin Frank 11 MacMahon), who sang three songs 1'11» l a deep rich mezzo voice. Mrs. Mac-lMahon is planning to have her tWO ' kiddies liye withMrs.Nemmhfle shecompletesher musical education '- Vav'mso )amw,{,b,1,.s VKV‘L {CKW?V\‘Y& G‘¥«?'\s \eay WEA. Tr". 95?.th W§T\~'ov§a&'sta\. I» Ind fiancag. , , Stae'u‘k an *1 (Danae A. *Hfiufi" ‘1"- "me Club \‘rau se.‘ _. l§3a HOV". -1&3§Ck+}stwas "Ithato; ' V ' Q "it"fi- 'hw mus figx‘aikbqv» k9»! wfilw‘sk $3123":an 3' 5:?an at mi‘kt qa‘t/. mmi a'fi awu 1 . "ms {\ttk\§¢sk\5. " ‘31". '1 mu #5:"; gm W~ % V We? "‘3 ‘\ Umtasrmw S S Pafiuk 1A A fine 31"?» gm Oéeba Shuexs's gavhm. I dam-Lea \‘ 3M3 LAY?) "-3, to MAX own {>0ka . V M 1:1 a: {mug MM 1' m Nuns"; OYeYung'C 3X Laanga. (313% wwo "an. um. juéqfi ‘Chikqw 5 Rome, thk WAR-m «4.. Q "T Cava‘. I. dancea {a 'tkt Wives :7 flwwamm 1 A} Hahn fikaffev's zig'tkc Flow" 5" {w QKIPMAM Vat-K Hvtek A't :38th thush. Club I ‘~&"Drws Wafievs Camp \(a\.\'znmk I (33%»th 0R a. ‘0 it»no yum poem :vx. Amthcnm od'vxs ' bxcxflafvock bxl 531321 Aka, vaav- 13*? form ‘9 A‘M- "WA ‘JaKobstns Romew. 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And the Suieun hills again are green., And I am a bay in the canyons deep, ' Where the gray sycamore: flicker and lea n (Where the grey sycamore: flicker and lean ) . And waters plunge and sleep. A311 rt ‘-t .uiek wine blown into my near . Eggné 31th the'breatu of apple trees, ' And my lyrierlark.ie back with a start-- ‘»"And arenerde like white seas. V (And orchards like White sees.) APEILE;COMIEG£ _£1eak was eart h for Snows of tempest many a d&YS Whirled and whirle New tne‘flower d; s are on the way: April's ceming down the world: Joy went by wi th b All the leaves reken.wing, were dead wa the dreams begi n to sing April's coming down the world: éolden days depa rt, ' eartn is winter-f urled, love is in the he art, 3 coming down th e world: Dawczé Edwin Markham AFrH {33:1 _ Haven. Sk-efi‘ev‘s ComPeSthqk Damn. a"? " We Flewefs Atso (10": f av PenWom zk ' 1k Cheemefi. , ‘ P I AI'K' H'eTeL # Program memo} . ‘ DANCE Damn. I . SYMPHONIC DANCE POEMS 'AND ‘ DIVERTISSEMENTS ' . , ASSISTING ARTISTS HAZEL WRIGHT DOROTHY WAGNER HARRIET E. HUNTINGTON WALDEEN FALKENS‘I'EIN JERRE CHARLES TESKE A ‘ mourn-RA UNDER THE DIRECTION OF. __________I> I2 0. 6 I?M No.l ECCLESIASTIQUE . . '. . Tschaikowsky In adoration of our Lady kneel the Saints,\nhile Virgin Angels glide and dance in solemn" joy.To her a King was given! ' " -By Stella Knight Ruess. ' DANCERS: Hazel Wright, Hjordes Furn, Ruth MacChesney, Maxine " Sorenson, Marjorie Booth, Helen Paananen, Betty Phipps, Frances and Rosemary Stack, Teru Izumida, Peggy Barton, Zona Leavitt, Helen Paananen. ‘ ‘ ' _ Choreography by Hazel Wright and Michio Ito ' ' Costumes designed by Brian D. Hurst No. xm. MARY MAGDALENE First Episode: Sermon on the Mount He draws them to Him- ' Men and women, though defiled.' Asoldier scuffing-- "Shall I strike?" The scarlet one Who loves him much-"Thou shalt not!" Second Episode: At Mary's House _ He comes aweary, ' To her home. One. bathes llis feet, And one anoints Him. Soldiers seek Him ,not aware ~ That power} of love shall halt them. Third Episode: Foot of the Cross Three soldiers playing Dice, for what? A'linen robe Blood-stained but seamless. Mary barters. Preciously She clasps it to her bosom. +5. K. Ruess. ' CAST: Mary,Ma.gdalene .......... ‘. ..................... Waldeen Falkenstein MarysSister..........................‘ .............. Marjorie Booth Other Mary. . . . . . . . . . . ............................. Hjordes Furn Roman Captarn.r.............................. ....... Charles Teske Roman Soldier ...................................... Wa C b Roman Soldier ........................................ I35? 852::in MULTITUDES IN THE Ist EPISODE: Zora, Hjordes, Marjorie, Frances, Rosemary, Maxine, Ruth, Peggy, Mary, Teru, Dorothy, Betty.Men Choreography by Ito Music specially composed by Frank Harling SINGERS: Adelyn Titzall, Edith Rayfield, Olga Steffani Costumes and setting designed and executed by Kisaku Ito " INTERMISSION -- FIFTEEN MINUTES I " No. xw. EN BATEAU' .‘ .‘ . . DeBussy DANCERS: Dorothy Wagner, Hjordes Furn, Marian Guess, Nadine Adams Choreography by jessmin Howarth No. XV. ARABESQUE No. 2 . . . ' . . DANCERS: Hazel Wriht, Waldeen Fl 7-,. ,‘l . . ' i'. lb . ,. DeBussy 557m (Pasadena f \ CEournament offloses flssociation presents "THE PAGEANTof LIGHTS" gn honor of the Wew fighting (System PASADENA ROSE BOWL gria'ay (grening, (September 20, 1929, at 8:00 p.m. +6\9+ Featuring MICHIO ITO International Dancer who not only appears on the program but who has designed and directed all the dances (PROGRAM 1. Gloria . . . . . . . . . . Tschaihowshy HOLLYWOOD SYMPHONY ORCHESTRA Modest Altschuler, Conductor \,InvocatiOn to Saint Cecilia . . . . Harris COMBINED WOMEN'S CHORAL ORGANIZATIONS OF PASADENA Mrs. Charles C. Blauvelt, Conductor - Mrs. Norman Hassler, Accompanist 3. Andante Cantabile . . . . . . . . . . . Chopin . . . Parlow Tschaihowshy LOS ANGELES DANCERS AND ORCHESTRA 4. WaltzIn E Flat Major . . PASADENA DANCERS AND ORCHESTRA 5. Amaryllis . . . . . . . COMBINED WOMEN'S CHORAL ORGANIZATIONS OF PASADENA Mrs. Charles C. Blauvelt, Conductor -- Mrs. Norman Hassler, Accompanist 6. Waltz1n C Sharp Minor . . . . . . . Chopin HOLLYWOOD DANCERS AND ORCHESTRA / S'KOR w 7. Peer Gynt Suite Morning . . . . . . . ; . . Anitra's Dance . . In the Hall of the Mountain King Pizzicati . . . . . . . . . . Grieg JAPANESE DANCERS AND ORCHESTRA HOLLYWOOD DANCERS AND ORCHESTRA . ITO MALE DANCERS AND ORCHESTRA . . . . . . . Delibes MICHIO ITO AND ORCHESTRA IN TERMISSION (5 Minutes) i 9. NeW World Symphony . . . ORCHESTRA HOLLYWOOD AND ITO MALE DANCERS ,1'5K:S‘ W , . . Dvorak THE VIDETTE-MESSENG Pl I90/1") C? .é /. 5 '4is BEAUTIFUL GARDEN AT MEYERS' HOME, GIVES IDEAL SETTING AS‘CAMP FIRE GIRLS GIVE PAGEANT The Myers beautiful garden at the home, Chautauqua Park, formed the setting for the be present as expected so the hon- ors .were bestowed upon the guar- tree dian by Miss Alfreda Putnam. pageant given last eyening by the ,Canwita Camp Fire girls. Every available seat 'was taken while many stood through the entire proceedure and many boys found a point of vantage from surrounding tree tops. The address of welcome was given by Christopher Ruess, hus-_ band of the girls' guardian. After the welcome,came clearlythe Sioux serenade after which time Kewane Alani §tella ,Knight Rue‘ssI the Miss Mildred McCord added to the program with her delightful solo, ‘Trees. " The tree pageant in which A1- freda Putnam, Maiian DeWitt, Rosemary Blaese, Marian Kinsie, Dorothy Anderson, Ethel Alkire, Mary Alice Sharp, Lillian Kinzie. Helen Filgiano, Myrtle Burns, Gladys Palmer took parts showed care- ful training on the part of each girl guardian, made her appearance and in conclusion City Engineer while the air "By the Waters of Putnam gave a short talk in which Minnetonka" was 3' played. The camp ire girls entering each gave the Wohelo Call, handsign and campfire law. A huge campfire arranged on the lawn was lighted, around which the girls danced sing- ing the "Burn fire burn" song. Roll call of each member proved an interesting partof the program as each girl told why she chose her name. Honors were bestowed upon the girls at this time and guess-I ing of the Pantomine revealed honors had been bestowed for everything from swatting flys to helping engineer the city, Miss Alfreda Putnam receiving the highest num- ber of business points. Miss Ida McHie of Chicago, was unable to W he praised the work of the guar-f dian in helping to mould the young lives into lives of service and good He spoke of Camp Pottawattomie where a greatly many of Valparaiso' young girls' attended camp this summer. Although he did not meri- tiOn it, the Putnams were so im-V pressed with a recent visit there that they donated a cabin, work upon which starts very soon, makin ga total of 25 cabins. Following the pageant. the exhibits on the Myers porch were examined and the value of being a campfire member was readilyfieen Paintings bead worK and other handcraft was displayedto advantage. BAMBOO SPIRITUAL Trailing, trailing, Trailing through the tall bamboo, Picking my way through the jungle, The jungle of bamboo. Holding by my right hand, Holding by my left hand The green and golden stalks-~- Stalks smooth and firm, Stalks smooth and glossy. Trailing through the tall bamboo, The green and golden bamboo. Hold your heads up, Up to see the heavens-- Heavens blue and shining, Peeking through the slender leaves. Leaves are rustling softly, Birds are carolling "Joy l Joy! Joy is up in heaven, Joy is in thejungle." Trailing through the slim bamboo, The green and golden bamboo. Stella Knight Run: 531 North Ardmort Avenue, L05 dngeler, Cali omia PASADENA STAR-NEWS SATURDAY SEPTEM BER2II929 Scene From Mythology The forty foot screen which served as a background, was so illuminated by searchli‘glits, that startling color effects and combinations were constantly thrown upon it, and as the white-robed dancers advanced from behind this screen over the green- field the effect was of some scene from an-. cient Greek mythologyp The ' piogram SUCCESS Michio Ito's Dancing Is LIGHTSTURNED ON FOR FIRST TIME F Approximately '5,000 ‘ at .with. cation to St. Cecelia' sung by the women's . choral societies eonducted by Mrs. Charles C Blau~‘ velt, with Mrs. Narman Hassier accompanist Following the singing a group of Pasadenadart: cers interpreted the selections , . Tschaikowskys "Andanta Can- tabile," interpreted byLos Angeles dancers followed the "Invocation, ' and oitsnghtnessand 33.37er was a fitting Contrast to the solemnity‘ of the Saint Cecelia number ‘ ‘ Opening Ceremonies. ‘ opened- 'I‘schaikowsky' 5‘ ,"Gloria," played by the Hollywood orchestra... which was followed by the "Invo- as OutstandingFeature ~ Weird Dancing ' ' Chopins Waltz1n E Flat Major _ Parlows"‘Amarilys," ChOpms C A slim "black Silhouetted- '1 and gold "figure, startling ' relief Sharp Minor Waltz, and the Well loved Peer Gynt Suite by Grieg against "an enormous gold screen, were all included in the program, and were each interpreted by the deminated the Rose groups of dancers in BOWI, and graceful executions. novel and A group {of held a crowdof 5000 people spe11~ bound and silent, as Michio Ito, JapaneSe dancer, performed his famous Shadow Dance at the "Pageant "of Lights" last night, with the Hollywood Symphonyor- 'Hall of the Mountain King" por-' tion of the Peer Gynt suite. Their chestra accompanying. tion of the music the Ito male dancers, gave a spa-1 cial interpretation of the "In the dance receiVed considerable applause, the half nude brown bodies of the dancers, their weird adapta- to a series of the Tournament of Roses Associa-. striking postures and unusual steps, all combined to form a unique tion and was staged and ar1anged presentation. The pageant was spongored by by Michio Ito. The full Holly- wood Symphony orchestra led, by‘ Modest Altschuler, the combined Women's choral societies dena, and dancers from g‘eles, Hollywood and presented a program of of PasaLos AnPasadena rare and unusual beauty. Fiom the moment the huge new floodlights were turned on, and an involuntary wave of applause swept from the crowd, a uniquely beautiful and stirring pageant held‘ the spectators' attention * from th 1111131613113, allcentered" aboutthe'gracefulfigure. Hi's tdorhmance of the bowl Was the lnaneeQfthe artigst The dance mmteelfwasextraordinary. With only the upper portionof the body, the arms and head seiving- as a‘ "medium Ofeexpressmn. -:Recalled to thestage he performed the dance a seéond time and the audine'Q gave every evidence of being Willing to. see it as mahy times as hecould be induced. to perform it 'Orchestra Scores . f Theprogram c10sed With-the :"i"ewi World Symphony" by Dvorak With constantly changing5 colors being thrown upon the, screen. ?_ Asthe first tiine‘ in the West; that a night program, with apr‘ propriate lighting has been at? tempted the "Pageant of Lights" 131111111 only be described as mmei than fulfillingthe eXpecta'tions of those who have worked so many months to make theproject a sucCessful one. ‘ \: i Kr $I\(\ J ('3 t a fi»3 3 "‘10- mux at" o (‘7 x \ 11/ " ucw¢aama%m42wm 4y‘a+:HW£¥:¥H mwumlw.XIu.4y% yomg‘MQ4y;x+s‘; Mfi¥t%¢fi?ainm&z mfifio$o4me3fifl% z«&<4ufl%\.v%g: ‘%%§o?@&@%@flmfl Uflfiéix4l¥y:$44 mw::o%&1xnx0V+ EHE¥WQHQ@%\H%@ fl‘@1@%%3YM%QW£ /\ . L.‘ "fir _, 7% (I. II I!!! 4' I ‘ J!" ‘7‘. ‘_ "We \: bv‘df, 5‘3Hég::\étm\;cg 3121;35qu tolk‘sfi, Idtntch Cams; FY " S , > . M‘snflm ' ‘ "9 "‘XWPRMX BMW Inni'tkts ball 75‘. surv ra\ octasio‘ fi-S wuvxfiz. VIRGILIA , DAM. me. d in». "a. Paris} .Gardtw T? D} .' I 3‘3? 3335:}: it}; Arvu H . that was I back in the world's first wondeT?-- fin elf-Chili founfi on on ocean-reef, A sea-child nursed by the surge and hunder, And marked for the lyric grief? 0) V $0 "‘Xa' 2).. :10 m , t .f the storm went Whirlinr or-ran when the loud Vhic hook the sky. I will 90 flown by the way of the willows, Anfi Whisper it out to the mother Sea, To the soft sweet shores and the lone bright billowe, The dream thet There will be cennot be. 1p For the soul's great trouble there the eea'e {eart einee to the listening ear, Where the high prev aliff in the pool hange double, end the moon is misting the mere. \XL "\There on the cliff is the sea-bird's tavern, And there with the wild things I'll fine a home, Learn with the liehtnine, SJOUt with gun with the feetherine foam. the cavern, w5 7 The Sea is the mother 0: song 6‘ " ‘ and SOTT0W59 And out of her wonder oir w lfi loveS come; ‘ Ani so it will be throueh the ling tomorrows, Till all our l'ne are flumb. She Shakee the heart with her stars and thunder And her soft low worfl when the winds ere late; Vor the Sea is Woman, t e see is Yonder-- *er other name is fate! There is daring eni dream in her billowe breekf§-In the power of her beauty our griefe forget; She Can ease the heart of the long, Ana nary Old regret. 5 I wiLL go bflCK to Long honing, the naine and the pitiee Thai break the world with moan: T will forget in the aria? of the cities The burden of mg own, W' ' Nike. stam1a5 Sdhci‘id frow‘t'k: Pony» 9‘? 1L9. MavK'AaWK \‘wet new ‘\\~£ Vaseline. in his \LOU"%(Yd.A~S$1 AKA vxo AOOET Wem‘t tDRX'o'fiteM fov imspkraxiowjfiv‘i'or cowsoiafiiow in Time oi sovrpw +di-s a?Po\w~T "Jeri. Tkt. bawKasvoumA mu etc. if) WQOS‘MB-Y's " 3Rhum. with it s T9\\1;~.1 0k "k303$ w" W_Qrtv"iura" ail/3 Eva-are A, fl og-£3" We y :t-e‘. i {5513" r , £5 2' JWV re myspirit sings; Inf;the hollow of God's hand. EDWIN MARKHMM This might equally apply to world chaos in 1942 E .K. '"'"""" 7" ,, Markham Blrthday Signal for Fete At Poet'gGarden ' H 3 ‘5 More than 100 persons gathered 4-yestordayafternoon at th. £93"I ' 9 Garden, 15122 S. Spaulding Ave., to ,honor the 83rd birthday of Edwin Markham, dean of American poets, now in the East at his Staten Is- lland home. 5 3 Miss Ruth LePrade presided and read Markham' s "The Risen fabrist," an Easter poem. and other speakers were Bailey Millard, literary editor who "discovered" Edwin Poet Markham to Markhams sister; Cotton Noe, poet laureate of Kentucky; Warren Be Honored iMarkham;, Miss Mary Murphy, Mrs 'Stone and Lucia Trent, who 'read Literary admirers of Edwin original poems composed in honor of Markham's 83rd birthday; Ben Markham, author of the famous Field, Raine Bennett. Ralph Cheney poem and Faith Chevaillier, 84 who pre-. sented an autographed volume of will Walt Whitman's "Leaves of Grass" nue, to celebrate Markham's eighty-sixth birthday anniversary "The Man With the Hoe," gather Sunday at Poets' ‘ Garden, 1622 South Spaulding ave- to the Poets' Garden. Mme. Anna Ruzena-Sprette, ‘ac-= compani-ed. by Rudolph Polak, sang un er rees which the poet himself planted. "Easter" Morn," by Gertrude Ross . The gathering is being sponsored by Ruth LePrade, founder Mayne gave Shakespearean read- of Poets' Garden, who announced }ings beneath the Shakespeare tree Markham will be unable to attend and Ella Bacbn Balsley. Eric Tin honor of the Bard of Avon's gbirthday the celebration. He now is engaged in compiling A Markham program will be giv-_into a single volume his Seen by Miss LePrade tomorrow at- 7 $13 111. over KFAC 9' many ' poeni's at his Staten Island hOme ‘ . 1n New Yorkzl .W‘ WK gene 11treeshe planted, the 87th 1rth§dayo'fEdwra. Markham, au-. gethor of the poem, "Thé'ifian With aWill be observed tomore gr'QW'at211)111.7111 The Poet's Garden, 1622 S. Spau fiilgAve. RuthLe I'Pr'ade, founder of the garden, in_vites poetry lovers to attend the celebration. , DiOn 0'Donnel, Mrs. Allison GaW, iRalph_ Cheyney, Jack Greenberg, m G.P.4Wiksell and James Neill Noiithe will speak. 3 As a feature of a musical pro-3 "Em, Jane Pendleton Will singa 11umber written by Grace BuSh as 33. musical setting for Markhams poem, "_Wind on the Rye.""' Mrs. 'Bush will play the accompaniment. Compos1t10ns by Ada Virginia rHull, Gertrude 3 Ross and Floris: 5Hudnall will be stung by Constancia 'Welsgerber and Harry Wayne. Stel-' :Ia Kni .ht R s will presentma dance '11 "erpre tion of Markham's" ' i1's Coming," accompa-‘.‘Apr ‘ ‘nfed by. the composer Helen Louise Shaffer. .55.Markham Who llves on Staten «island,N'.Y5," dedicated the Poet's Gardenin April1927 He returned. 9 __;a'nt 12565911er in thei‘wmter "1933 JohnMaseheld M'oo'n ‘an‘, AngelaMmgan ahd Seumas McManusare among theother poets 5-. 3Who have planted trees at the site. 35/1,; *5 3 5 3. ,l i 5' 5 s . \. - p9 .5; 3.; - 4"" .. 7' g 1 < a 1 35'.» 55".; 555.- The 88th Anniversary Celebrating of the birth of 7 Eifhfnin Cilitlatkham THE POETS' GARDEN 1622 South Spaulding Avenue Los Angeles, California Sunday Afternoon, April 21st, 1940, 2 o'clock All Poetry Lovers Welcome 0 No Admission Sunday Afternoon, May 5th, at 2 o'clock Ruth Le Prade will talk on EDWIN MARKHAM and read from his Poems .. Please send your Name and Correct Address if you wish notice of future Meetings. A PRAYER AT THE ALTAR OF HERE Ah, Weary I come'té yon? dl.,r, and have nothing to lg As an offering there but the sandals I were on-the'wevg on, take them. I'll cut from the willow a pilgrim pipe f? And Will go on barefoot and fluting over the lonely lands. Hear me, O Hermes, finder of paths-~hear me, O hastening one,l ‘AS you fare by the land of the dreams and the gates of the sun" ;_Eor my bride--now called to the dead-«goes wistfully on in you 5 She is there in the strangeness alone, and I am left here With% - the pain. f , Na_more will she dance in laughing When the April comes, Nbr tell us When sun-quickened cedars are fragrant with gums~a ,Nbr ever go singing when wild grapes are purpling the vines, Ang the winds waken awards in the boughs of Thessalian pines‘ O god'of theiroeds Andes ‘ my net t Hm ; :.. 3;: '. ~,.r,< ~,‘ . . ,l _ . '- IA ,_ L 1 1:. _ ‘. ‘1 1‘ ‘ « .-. , 1‘ t, - , ‘ .l r -‘ :vw W, u-w-Mnr .H ‘10,, ' 1 , " .,, ‘ J ,1 ,< ,. ‘ w .: 4 . iii/7'3": V‘ . ,\ . _‘~. 1: 3 \. ‘ ._ w~ . ‘_ V <7L , : <. "a ‘ / .r' Mr . . 1 ‘ vans; ;, v.4. - L ALI . EDWIN MARKHAM {a ‘ )‘ - Celebrating the Ninety-Seventh Annirersarg \r I of His Birth THE POETS' GARDEN ' - Sunday Afternoon, April 24, 1949 I Two o'Clock ‘ o All Markham Lovers Welcome 1622 South Spaulding Avenue, Los Angeles, California ' .M‘So dang; & 7 H» $391». 51.00.43 , ‘ 5%."; 13 e," , , ' _¢«‘w' ‘ .N_~§,‘(1M;" ‘ , I 7 ye' , . _ ‘ > 1' (7" ,1 ' , ' ,_V ., _ 1w < oil). :, a; 1;: 1|1 52. \ . x 11 ; THE CHRIST or THE mes ,, a some meme Over dead craters, Wh ite with snows, Up Wh ere the wide-Winged co ndor goes, Great Aconcagua, hu shed and high, Sends down the ancient peace of the sky. There once of old wild battles roared And brother-blood wa s on the sword; Now all the fields are ricn with grain And only roses redden the plai n. Torn were the peoples with feuds and hates-Fear on the mountain-wal ls, death at the gates; Then through the clamour of arms was heard A Whisper of the master's word. Fling down your swords: be friends again: Ye are not wolf-packs: ye are men. Let brother-oounsel be the Law: Rot serpent-fang, not tiger claw. And then the war-torn na tions heard, And great hopes in their spirits stirred: The red swords from their clenched fists fell, And heaven shone out Wher e once was hell. They hurled their cannon s into flame And out of the forge th e strong Christ came. 'Twas thus they moulded in happy fire 0 Christ of Olivet; you stille d the wars .Under the fa r Andean stare: Lift now your strong nail -wounded hands Over all peoples, over all land s: Stretch out those comrad e arms to be A shelter over land an d sea: ,r' WW ,PMxlll..",v;k£ 2A2. avafodb'1¢é1jhb A4;n~',‘R‘Ja z.JMPk%‘~A44_- M4. "3.5;... hr. M Ari)"; em, Mveitwi \.m Q" 52 Q ‘30.? "(13 E2; Di 0:»: 0% ,13; Q I.- f‘fiéfif 10600927 TREATT srumos 4 r "LL BE APPRECMTED. V...- - Wm . g. :- m 9. ‘0 D 1 27». { q l- d '_ _ Lu D Q x I e I l I l I 9. 7% f" F" 93! G: _I I I I I I man 9! mg I . FRI?" <2 €1.25? "LEASE u"- I: Inna, ',,__ ‘ry ‘ ._ -uu. -.' u. I .‘ RUTH ST. DENIS‘ (A pupil's appreciation) She disciplines her being day by day, With fluent rhythm-training,--fingers, arms And body,--knowing well the arduous way From student-eflorts to the dancer's charms. With humor from her forebear's sparkling wit, And flashing smiles, as from a Vision caught, Her lissome, fascinating movements flit To slowing geétures, freighted with deep thought. She prays for guidance as she seeks her goal- World-beauty, crowning work and brotherL hood. :Her speaking hands appeal to each one's soul, ' ‘ r I , , * ‘ ‘ y, "film a, < I , 5 .‘ wives herself with magnanimity, plest grace, a rare humility. " STELLA KNIGHT RUESS :7 , ~ . 1 - 1. l5 v 1 ' *‘W , 4 r‘..‘.‘s "Omika" Japanese Dance Drama .. with Ruth St.Denis and Mme Slavina PrOduced October I948 in the Ruth St. Denis Theater Intime i . Dal/y "em v HOLLYWOOD CITIZEN NEWS SEPT. 11, 1948 :::.:.,istiiuse'rs'v::¢ NEW YORK Twas, Ruth St. Denis Among 120:2"? .1: 1: flems s ‘uiyfl. 1" . - - Ruth St. Denis Benefits at the Y Artists Scoring Hit mm 3mm "The Dance of the Seven Veils" of Salome showed her a master BY JOHN MARTIN Bv MARGARET HARFORD in handling the shawl. One cannot help but be astounded with The one "thrill" of the evening was to HE incredible Ruth St. Denis the freshness of this remarkable career. see that Ruth St. Denis is 51111 the noblest oriental of them all! is at it again. In spite of being substantially along into her seventies, she refuses to relax into even moderate passivity. NowshehasestablishedtheRuth SUNDAY, JULY 24, 1949 NEW YORK HERALD TRIBUNE, St. Denis Theatre Intime out in-‘J‘ , WW Hollywood as the latest activityfi" BY WALTER TERRY of the Ruth St. Denis Foundation; Inc., a non--profit corporat ‘ which sponsors also her Churc .- [Furthermore students wul see not only the choreographic works of a. great art-rebel, but also come D E .in contact with one of the most found itself going in for m9?" T116 Return Of a Dance Ilnmortali "fabulous stage performers of our production. century. Ruth St. Denis Foundation, Inc. Oriental techniques 5m ographies. 2N . 11' 1 r: , b . v "-x‘ '21:. f "are. During th "'3' ‘" Of L949 Ruth St. Denis will be on a Lecture and e,. _ 55§"iii.g i5lh " > THE CREATIVE ARTS. A . ecital Tour in theinterests of her 3‘ ., pi For further information write to Dorothy Lee, Director of the .rlm Ruth St. Denis FoundatiOn, 3433 Cahuenga Blvd. Hollywood, 28, Calif. ,a. _-.:_1- , , 1 .17». ~ , , .V. 1 V ' ‘ V . [ya ' 'N‘K-qul". it'psi' . ~_«..n‘ A 'n' .4}, . a,. '.-filly.,';.7.,9 . L 'hn'u', ,, , a "‘W‘I", V , 1";sz 3‘ '1," ":4 1"‘, a I ,I ‘1' '1 , " ' I ' '1 3 fix , ', a‘l ' ‘ I 1' ' f . I_‘I cu].' C.{‘ V‘. A . > X 4fl$J>-,‘_J'ww ., than»; , v ‘ «awn, ;‘ l 's‘. H 'Z‘Htv? 4,. ,x::f:~-3?'>Z;4'u§é%*ggmg‘ '47- ' ‘F 'AA 5. :fibdu ‘ o v .5 '4 . . 1 ! ‘0 y, : .r . , . fifie‘i‘u. r». .,-‘ f z "W"! ' V .-4‘.."-" 1' ; {aviafi'h (.5;d /~ ,'. .251» '& '.~'"‘{.l .12.: ' " ‘ _ .2. ‘ ' ‘ '1' > _ , ‘ .‘ ‘%"£‘ 4"";x >\‘\‘t~11 . *fi . lanai-‘1". IA~M_AIW~L hr M183. WW;MW wwmgfl‘w‘ Y" fine}. iufifiqJ,. Hug-‘4‘ x».J. M'W"cMF-wfl kart/‘54s. M '55-‘ng , 1 l ram-News Apr. 18, 1952 i Birth Anniversary 30fE‘dwrn Markham "To Be Feted Sunday at 2 Sunday afternoon beneath ftre‘es beplanted in the Poets Gar‘ den. 1622 S Spaulding Ave. Florence Hamilton for years his secretary and manager and his9 ‘ bingrapher, will fly from her Mas- ' sachusetts home to speak here. ' At the program. fitella Kni htz/ Ruess, localpoet, wi ance "éi/ j gilia," a Markham poem. Oth// will participate in a program c115' 1 which Ruth Le Prade will pr? Markham was born April ' '31852, and died March 7, 1949;, ,_ .‘___.1- u-.. A .,_.\,- Edwin Markham will be celebrated _.1,_ _.. ~y ,. -\._..1-1\ "1-.."- .1M-‘ The centennial birthday anniversary of the late, famed Poet l 1 I It A (California filiumiziin ileazilm .fi : YE Mountain Heights? bless the Lord. Praise ye Him? Mallrones and Reiwoorls. Bless Him, all ye Stately Pines; anfl Firs. (EN-r Ye Tawny Hillxdex. magnify the Lord. 0 Sparkling Brooks, send back 1') Heaven its glory" Bless, O bless, Him, every Fern and Flower, Fog and Sunshine, praise the Lord. Ye Bellnly Breezes, hear along His blessing. Echo Hi9 praises, all ye Rocky Canyons. Twitter your joy, ye Little Wild Canaries. Call, call. call upon Him, ye Flashing: Bluejeiys. 0 Skies of Sunset, glorify the Lord. Ye Twilight Crickets, Chirp and repeat His praises. «*1 And now declare His glory, Stars of Night. Peace of the Mountains, 0 abide With us! Ye Mountain-Lovers, praise the Lord of Heights. Lift up your eyes, and Sing, and Bless the Lord. Stella Knight Ruess, "(fii'w‘lhlywr 5 Vi, l=g§lré W l. " .wl ‘ r ‘ u'g "wiwtlrsme» «W 'lbfi'flh ‘53; £5"? :12. 4'1; , 0‘2 ; . .«r-"m Lulu It. -'f.1 ._'_ , «4 .1 .i > > sit/"é" i .l v.1 I"; lieu H\li I c. . , . _ im- ‘ ‘ '. L3 Rut, H ‘ ' n I 11. | n! mun mum at «in. m. 7 mm want; «at m - "i cihtioiitétfii W 1-". him ‘36 W 1‘9 Y‘sm.fltti (In. «A in him) r ma Run" tau-{mu an em ~ mm ram mutt-11:11., n. U 1.. d autumn: WM ' ‘min 11n3m* "a that 231 am .. an cttoitovkotavgntfis-nb» ‘9‘" rm w ‘1‘, «owsisauccgnonr Alt-m m»;- * m m. flaws-Mm" a: m "Mun w «s m 52. mm u. afllm '11! ‘ ‘ mm: M1: alibi." N1 ‘VIXI. a1" 1" A!" 1‘" "' 1» tun: mu' "140'! w " ".m* ma "i ml: onsodb‘ioutotc at ,‘ W‘tifi Tutti an... at9ng *MOMW‘. TM "ttupfit«§iis 3321"th Wan Mt" mi! ..... ‘kfitn Minn" m; ...,.n".,Mu s. and stays" Mm mountain nut-1am it m. ‘9'... M" W ""9! m tafloipifityixtfiflt fifllmml #:‘ ft» 1-7 m1" m1, mn‘uW'Ig 91111:": $013 ‘ Mi, . ‘5": mm". 5.1:: mm" to" w "H". ‘ Wot; iv 8!. mm mm: can: Altai am - "intuit: man has: w: 1" Mt. -. RUTH ST. DENIS i NOTE: Nearly half a century ago, a young woman glanced at a poster advertising a brand of Egyptian cigarettes and - ,'. proceeded from there to change the course of American dance. Inspired by the poster's depiction of the Egyptian goddess Isis, she determined to give expression to her latent desires to change the function, of dance, to reveal its dignity, and to dis- close its spiritual power. Miss Ruth St. Denis celebrated her seventieth birthday with the founding of her Church of the Divine Dance in Hollywood, California. She regards this development of her world renowned career as its fulfillment. The purposes of her church are twofold: to bring about a vital understanding between the church and the arts-between God and the artist, and to provide a center for a spiritual experiment, which in its findings and successes, however modest, may serve all churches with ideas and actual demonstrations of spiritual beauty. search for mere pleasure as a substitute for love. From going around and around the endless circles of our own petty plans and resentments, our facile but sterile imaginations, we should turn as never before to the Light. Politically, socially, and commercially we have been asleep, I CLAIM THAT the artists of America hold within their minds and bodies a new divine artists the very blueprint and plans for and better world! But before these plans can be given to humanity, themselves must be changed peo- ple, cleansed of their false ambitions, their egocentric energies, and their ceaseless and we are being rudely awakened. We have accepted the teaching and preaching of certain types of Christianity which demand nothing of followers but their money. There are teachers today, who flourish at the expense of men's souls, because they tell them that all they have to do is to think themselves into the Kingdom of God. Instead we all enter the kingdom of peace and power by the agony of surrendered pride and by the utter cleansing of ourselves from sin. This, and no less, is what is demanded of men who would know freedom from fear. We have been fed on the pap of the ambition of little-souled men and women who have never themselves known the humiliation of Christ, or they never could teach the superficialities and evasions of the price that man has to pay to transcend himself. {I i i i . sq... We are not weary Wanderers and slave "a ., laborers in an aimless and disordered uni- _. verse. We are children of God. We are fed and guided, sustained and unfolded, 32:41 by a vast principle of life. In reality we do not live, move, and have our being under the domination of any person or race. We live and have our being in divine intelligence, under a law of abundance and harmony. We do not need to be put to sleep by mesmeric entertainment. We need to be awakened to the comfort and security of truth. Today we are gazing with horror- ,stricken eyes at e" spectacle of the 9g; umanity, strewn with , ‘n nursery the w, e, injustice, pride, fear, -Intellectually, we are was i. «a anically, we are marvels; 1; we are morons! We all share the risrbility for this state, you and I fl." .!|_ \ "'i P ' 3 Mr: .2, *7 o 75; 877.2. adway, Nashville 2, Tennessee. "79‘. . Reprinted from motivairihagazine of the Methodist Stud e‘nr Mc'fveéne at I ‘1 y. Our hope and glory are that are awake to it! We have worshiped the created thing instead of the Creator! We have willfully ‘ and stubbornly refused to listen to and obey the words of the disciplines of the 'fe-giving saviors of the world, and now s «4% 4.. .rr ma» " :;:..d has come. The lesson is about to -- learned. Neither science, nor art, nor business, nor human love, nor human planning can save us. Neither the labor of the hand, nor of the brain can save us, nor the invention of the mind, nor further destructions of the emotions can avail. We are hoist on our own petard, and the only way we can be let down from the hideous uncertainties of our position is by saying, like a little child, "Oh mother, I will be good, I will obey you!" It is as simple as that! So simple that many of us will put off the great liberation until some more convenient season, depending upon the futile efforts of man's ways to heal us and free us from this bondage of our own evils. , ‘ . I 1 _ THE dance holds within its purposes and practices, the very seeds of a new order of living. How else could we have a strong coordinated nation without strong, coordinated men and women? Doesn't it seem logical and sane that the organic growth of soul and body should be one, that any philosophy of living which values one side only of our completed selves, is basically wrong? How can a civilization flower in harmonious and beautiful patterns when it is based upon the ignorance of our total being? Do we yet realize that we were given at birth the A most wonderful instrument of life and expression in the world, and that we neglect it for a thousand ephemeral gadgets, and abuse it daily as no musician would think of abusing the1nstrument he plays ' ome of us have long realized that our whole Christian faith has separated man , "into two apparently opposing forces- into a dualism of spirit and matter, soul and body. It may well be that the old dispensation had its purposes and mission. It may be that my own understanding of all the matters pertaining to Jesus and his full message, from a doctri‘gnal point of view, is far from profound; I am keenly aware that I am speaking). of a special and partisan matter. I am a dancer, an artist, and I must view a future world within the frame of my own wisdom,7§'fi‘ . _.s it is. My pleading < '3' is ever for a fresh, s, rh thmic, co- t 'chil- . 4.1;»., - ordinated. living. M dren taught the saCre. bodies as instruments 0: new spiritual race of children, 0 m $2 of women, and the externals . Let us begin a new ciV1 192;?" care of themselves. Let us begin 7 the soul of man as it encompasses . body, with the full realization of 5%) relationship to the unseen indivisible ;_ creative life. These realizations and a we have perhaps never done in all the ages. For myself, I see the churches of the future as places where the maximum experience of life will be realized. I see them as cathedrals of life. I see them functioning as buildings where the art gallery, the theater, and the concert hall have yielded humbly their finest talents with which to reveal the very elements and powers of the Godhead, where we will look upon Jesus and all seers and prophets as manifesting through their human bodies the fullness of the Holy Spirit bodily. The following scene between Philip and Jesus has always seemed a perfect illustration of this meaning: "Jesus saith unto him, I am the way, the truth and the life: no man cometh unto the Father, but by me. If ye had known me, ye should have knoWn my Father also: and from henceforth ye know him, and have seen him. Philip saith unto us the Father, and it aith unto him, Have with you, and yet me, Philip? He that n the Fa -. words that I speak unto you I speak not of myself: but the Father that dwelleth 41 fi‘ ,. 2; 'y; 4 y in me, he doeth the works." I predict that with the development 0;; a sane, strong, beautiful humanity, the" cross will be the very emblem and squ , bol upon which man is voluntarily slain "1 1.3:": " in order to bring about his resurrection from the tomb of his own sin, destruction, and death. America dances! She moves in grace and rhythm and joy. She swings, she waltzes, she circles and pauses and moves again in the rhythms of the world, but she knows: 1. not whither she15 moving in her endless patterns of rhythm. She is unmoral in ‘ her motions and irresponsible in her {.5 charm. She is self-centered in her heart. ‘1' America is dancing to her death, for sh is dancing in her own shadows and ' the futilities of her own will. She is 1" bondage to the drums of lust. '8 moving in a dream. Nightly, in our dance halls, i theaters and'in our homes, we move to cheek, and body to body, in dis love, in sterile desire and morb,; 2" America is da ' ' - "" powers teach us to value, control, and us- :: ,3; V this priceless instrumentpof our body ' .‘~ 1 fl fit) g". in a 1_ .._. \_. , {l :7. . ‘1) ,_ V .. .. . it! WWW!» 9c amww m ‘1. WW Ma'vka VS . Dag 3.1: mm StDem'xs amaze ,V 2V," T ' 3-. m: '9' "" .z: '5‘: fix,‘ w.-?,;5.,H F _ . ._ \ f . ‘ ‘ h . RIC HAR D J. AMIXDU R H. C‘LLTLXW O 0 [1 ' Wkkrc T h ‘- Bu‘t Year 3 R§3Tkm gr.) v P . ("A 3 (yr-c..." Umcswt aw "Mu thIx m'd , I . ' cola). INTERIOR FIRST UNITARIAN CHURCH 3 : ‘ LOS ANGELES CALIFORNIA ELPMIM Wax W WWW/4.4.49 «__\ , ‘Bwllak @W ,sdt 41,._ ' WWWA,» "X "34?» ‘ W VQ/j DRAEATIC VESPER§ PBELUDE~-"Panis Angelicus" CALL TO‘WORSHIP-The Minister 'INVOCATIGN-The Lord's Prayer "332mm INTERPRETATION OF THE mums" . ‘_ Presented. by RUTH ST. DAMS and, the Rhythmic chair GANDLELIGHTING INCENSE NArratar: Stephen Chase I ' . , ‘ Rhytmc chafi- 5 .- I» - _ ' Ruth $1.. Dania {THE man's PRAYER * ' ‘ ' Elyser‘fiabems (Choreography by Elyse) " "The Néw Trend of_ the Danae in America" GREGORIAE'CHANT 5 ' 5 "w Bath St. Denis Juan Jacobs and theRhythmic Chair "The Poetry 0: the Psalms" ARAYTHHIC GFFERTGRY '~ 5 VRev;'WAltar unaller Phil Baribault, Jerr¢.Greag§ wan» .--. "WIIEEWhltney; Eiefidr King; Kay Earhart VQRTB-"Sarenade fbr Strings" " HEALING 7 . TWENTY-MED PSALM : , . . ' ";' Ruth St. Denis, Jerry Wu Elyse new" (Choreograyhy'by'Elyse) PLASTIQUEINTERPRETATION OF THE PSAIm . 7 .Barhar , _« . _ '- W ' Ruth_3t. Denis and the Rhythmic Chair‘ BEWCTIDK ‘ .POBTLADE-"5Aranadefl " . A ~ ' ‘Tuahgéggvaxy Ruth St. Denisand theRhythmic Choir are prasented bhra ugh thé courtesy ef'Alfred Franz Stnry5 Director of Crusadar , Films, Inc. Members 6: the Rhythmic Chair: Elyse Rnherta (Diractor), Jerry Green, Kay Hurbert,fi11ma Whit nays ' Stella Ruess, Elenor King and Phil Baribault. ‘étvwiti m ..-m-m m gm: 713 3.01":- ; ' ii:n: xiii 6f the ', A a say m mmjwa 1 a ' ktwfi. m55d ‘bfl 531" ,' l \ I. mp a" ‘ its Ii #3. 1 light " "_x L x .iwqmwv7ws,. .uaaavnn agar a we . . Sana ME 0.3»,«53 x .?»3< .1301 a» upaaa arouaaadwauun up» ..wwnb MfiquGAu.¢ a. Hawaaw sw \ A .Hwn ym a n d «h ay wm na a .h vh unq "wah» vanguann a hfi unahonw uaoamnm week w n4 . Santa Msmica Unitarian Church ‘ 1‘51]! ; , Horward G. Maison, Minister Eighteenth and Arizona Santa Monica, Calif. Santa Monica 5-9728 ,- M "w. Rdmaxyfl" j ~43". WY; ‘61"ng :WL Atmgaé Waxy}. mu " wHk my bu M": from Imkit, ‘ 13%". 51% van: 31:13.»sz r a; . ‘ \ .7 ; . _. h, ) ; . . Jig; E , r t , .. -\ 2 y ‘ ‘ . _« _ ‘ > .-A _\ . ' . ¥ , 7 , \ _ ' _ , 0 4i 1 » » I , "r , ' ' V j . \ ‘ '1. ' , , ' W . ‘w € * I - 4 > A ' ~ 7 K ‘ I.»Mr ‘~ Ig ‘ » v , , n - ‘ . I ' 1 l ‘ \ __ . _ , . 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| Reference URL | https://collections.lib.utah.edu/ark:/87278/s62k1b66 |



