203

DbV I e.?/ . T_;b_L_L __~ ___ _-r_.- DATE OF BIRTH DATE OF DEATH PLACE OF PRACTICE -TYPE OF PRACTICE archite~t FIRNS ASSOCL'\TED WITH -- ( ·'1 indicates N ATERIAL AVAILABLE UNDER ) BUILDINGS -·- other rr t/1 ljV':."J brr.ACf"llX-l ()/~ -fa <.f'..Ly,0(, t J~c/1 {)of-'='~ ;q 10, p s- ,iccJ tU Cl l.e.5 I I~ ?£~j ff..#'-A-- - ~ve/. ~~ ~ Ch,ldre~ - tf...&_.A ~t''/~rk A o/,,-/uo,r'fr - J;tw,e5 //J t'I 5 A ;,;~ -I /J~.,-A l?~.t. ;;J /n /t.4lA::J~ /?;-!0 - r: T· - I>~ (r~) ~ ~:IP.It.{~ T?/4. /9tJo -o 7 - - - ... """ 1.. 752 IIl1T'R O VEJ\ll rn T ER A sinn er, the hi g h and the lo w, the rich and th e poo r. Tt is th e acme o f democ ra tic ex press ion; it is th e one expression that fincl s its way to the heart o f eve ry hum a n bein g . H o w many sorro wful soul s has it comforted! TTo w mnay wo nde rin g children has it directed to their Go el ? The Latter-clay Saints have sun g man y hymn s. It is not for m e to say which arc th e best. 1\ll a rc best in the se nse that all have wo n so me soul ha ck to (; od . S tanding out with resonant 1neaning. ;rncl a poe lll in v ery spirit , is "O M y Path cr." The author wa s Eli za R Sn o w. Thi s hymn is th e clllhodiment o f fkhra islll , of pure Goel -like thoug ht. Its g lo ry is its anth ro po111o rphi , n1. Tts beauty is in its lesson th a t a ll m en a rc divin e, a nd liy th eir will a rc in tun e with th eir make r. Jt will li ve fo rever as a so ul-in spirin g song ; it will ever he kn o wn a s a philosophic express ion of Ji Fe's mi ss ion . It is a psychological lesson, fo r it g ives som ething o f the m eanin g o f in stin ct and intuitio n, th e g reat probl em s o F th e mode rn phil osopher: 753 O UR IIYM N S '·Sc h oo l th y fee lin gs ; co nd e mn a ti o n Neve r p ass o n fri end o r foe, Th o u g h t h e tid e of acc u s ati o n L ik e a fl oo d of trnth m ay fl ow." J\ s th e colo nizers of U ta h wend ed th eir wa y o ver the plain s to th e fa r \Vest , in 18-1-7, they w ere cheer ed, day afte r clay, by th e word s o f the old camp poe t, \Villi am Clay to n . J\ ncl poet he was . and ;1s th e sc ribe and journ ali st o f th e mi g ra ti on, h e showed wond erful ability in writin g. ITi s journal reads lik e a rom a nce, and hi s "Come, Come, Ve Sa ints" w ill he sun g whrn the clays arc da rk, and wh ~n t he Saints of th e Most Hi g h a rc stru gglin g to establi sh ri o-ht. Tt thrill s the so ul wi th g lad ness; it in vi go ra tes with new vi o-l~- an d dete rmin atio n l o press o n until li fe's probl ems '"' : arc conq ue red ..l "O m y F a th e r, th o u th a t d we ll es t, Tn th e hi g h a nd g lo ri o u s pl ace ! \ V h en s h a ll I r ega in thy p r ese n ce, A nd aga in b eh o ld th y fa ce? fo th y h o ly ha bita ti o n, Did my spirit o nce r es id e ? Ju my fir st pri mev al childh ood , \,Va s I nurtur ed b y th y s ide?" Th e one poem th a t strikes home as the g reat lesson of selfconrp1 cst is " S ch ool Th y Feelin gs, " by P res id ent Charles W. P enrose. Tn tru e C hristi an li fe , it stand s a t th e hea d of all our lite rature. Tt ca lm s th e sh attered feelings; it breath es into o ne's soul th e very essence o f love ancl com fo rt. Th e th oug ht o f it is th e in sp ira ti on th a t is d estin ed to calm the natio ns and brin g th em to a lrno wl cdgc o f th e Chri st. " TTc \\'h o co11cp1 c rs hirn sc lf is g rc;itc r th a n h~ wh o conqu e rs a nati on. " No o ne eve r sings , ' ·School T hy F eeli ngs " but w h at resolves to conqu er . Th e a uth or of thi s hymn In s w ritten mu ch. Jn fac t hi s comm ents 0 11 th e g ospel truth s, th ro ug h news p;ipe r edi to ri als a nd m agaz in e a rticles , have been read hy mo re people th an have th e writin gs o f an y oth e r o f our a uth o r s. TTc will live fo reve r in hi s "Sc hool Th y P eelin gs," and "O Y e M ountain s Hi g h ." " Sch oo l th y fee lin gs , 0 m y br o th e r, T rain th y w arm im p ul sive so ul ; Do n o t it s e m o ti o n s s m o th e r , nut let w isd o m' s vo ice co ntr o l. "Sc h oo l th y fee lin gs; th e r e is p owe r Tn th e coo l co ll ecte d mind ; P ass io n sha tte rs r easo u' s towe r , 1- fa k es th e clea r es t v is io n blind . U I I\ T A ll STAKE TA l:l E R NACLE L oca t ed at Ve rn a l, U ta h , e r ecte d durin g 1900-07, a u d d ed icated nu th e 2~th of .\ugus t of th e latter yea r. Tt l!as a rock fo u nt)at 1n u wilh bri ck wa ll s. ;in d ,ost P7,000. It has a sea tin g capa c1l y of !if tee n hundred , a n d is 70 by 11 7 fee t in s ize, o ut s ide m eas ur em e nt s, 35 fee t to th e sq 11 a r e, 55 fe<: t t " t h e top of th e r oof, 95 fee t to th e to p o f th_c to we r, a nd co nt a ins s,·\·,· 11 rooms. T . T. IJ av 1s 1 Provo U ta h , a rcl11 tec t Th e r e a r c two and a h a lf ac res of la n d, o n e and a hali ac res ~ h i ch a r c in la w n. Th e r en1ai 11in g la n d is ow ned h y th e Chur ch a ncl is occ upi ed b y th e o ld aca d em y buil d in g . /\ wa ter sys t e m has now b ee n insta ll e d ; a nd th er e is a lso p le nt y of wate r fo r sm facc irri ga ti o n . , IMPROVEMENTERA V a r . . XV I I MAY , 1 9 1 4 N o .7 L oud Laugh t e r aS in PROF .N , L . NELSON , OF TUE WEBER ACADEMY . "Th e r e fo r e ,c e a s ef romaI I you rl igh tsp e e ch e s ;f roma lIl augh t e r ; f roma l lyou rl11 s t f1 i ld es i r e s ;f ro111a l lyou rp r id ea11d l igh tm ind edn e s s , a11d f roma l lyou rw i c k e d do ing s . ***C a s t aw ayyn11 ri d l et h o 1 1 g l t t ; ~n c lyou rex c e s so fl augh t e rf a rf ro111y o u . ***d o th e s eth ing sw i t l t th :111k sg iv i11g ,w i tI r ch e e r fu ll r c a r t s and co11n l t :11 an c~~ ;n l l tw i th 11n1c l r l augh t . : r ,fo rt l : i si ss i n ,l ,u tw i t l t ag l ad l r e a r tand ;1 c l t c c r fu l co1111 tc· o v . , 88 :121 ,6 9 ;5 ' . J : 1 5 . 11 an c , : . " -1 Ju c . and C I ti sn ow fo r tyy e a r ss i n c eIf i r s tr e adt h e s ep a s s ag e s an c l wond e r td th a tth eLo rd shon ldcond emns oinno c en ta n d ,t om e , s oa dm i r a l J l cath inga sh e a r tyl a t 1 g l 1 t l : r . Iama f r a idth a ta sa b o yth em e an ingo f "g l adh e a r tandch e e r fu lcoun t en an c e , "w h i c h t h eLon io f f e r sa sasub s t i tu t e ,d i d no ts t r ik em ya t t en t ion ,a n d c e r t a in lyn oo n eev e rpo in t edi tou tt om e . Tf r a ra l s o th a t ,b yt h e l awo fcon t r a s t ,m ym i n d jump edt oth eo p p o s i t eex t r em e ;in t e r .. p r e t i n g -a sp l e a s i n g -t oh e av en t h eg rn a11 i11g h l ' a r t .a n d th el o n g , d roop ingc o 1 1 n t e n a 1 1 c c l i k cth a to fo l dJ l ro th e rl \ f o o c l yando l d S i s t e rG l o om w h o ,a l thought h e yw e r e amongth ef i r s tt oa c c e p t a i l e dt os lougha n dl e a v eb e h i n dth emi nt h eo l d ' 'Mo rmon i sm , "f coun t ryth esomandso l emns h a n 1 so fs e c t a r i an i sm . A s ac on s equ en c e ,th ey e a r sf r omtw e l v et oe igh t e en ,w h i c h m a rk th ehooc1 !11m e p o c hi nm yc a r e e r ,w e r ey e a r so fr eh c l l io11 a n dd e f i a n c e . Jh ad n o tr e a dl \ ' l i l t o n ' s"T. '/ \ l l l ' gT o , "l111t l1 adi t r , ,111cw i t l i i11 111y km ,1shou ldc e r t a in lyh a v eapp rov edth i ss t an z a: 1 . IA JOH .J .I I .G IL I IERT Y~Hk ·· · · t i f i·ted i tiono fth eBook o f Mo rmon . ' t ' t ep r111 ; :111a l ~o · ;w~1~ :1 \~~1< lnN~~ · i l l1 8 0 3 ,and < l i e d i11 P a l rny r a , .cw a s_ i o r n ,11 1 8 9 5a 'ee l9 .2 y e a r~ ,1 0m o 1 1 t h s. Th e pho to w a s N . y ·• .] '11 1s 1 .rna9r l y ' e 'eHEd i to r s 'T a b l e " i snumb e ro fth eE11A , t ak e n 111 1 s ty e a r .s , inth 26 "H a s t eth e e ,nymph , andb r ingw i th th e e J~ s landy u 1 1 t l i f u l Ju l i ty , Jmp s and c r ank s and w an ron w i l e s , N o e l sa n c lb e ck s and w r e a th ed sm i l e s , * Spo r tt l i a tw r ink l ed c a r ed e r id e s , L augh t e r ho ld ing bo th h is s id e s . " ** A si tw a s , th eh e roo fth a ts i l l ye p o c h ,th ein c a rn a t iono fm y , ·,vvv/ JN T. T. Davies Architect contributing to the architectural beauty of this city, the name of T. T. Davies stands out conspicuously. He has designed and superintended the construction of many of our most beautiful homes and substantial business b locks, as we ll as many other bnildings of impora nce throughout the Stat~. As an architect of rare ability, Mr. Davies is most eminent. I le is a b usiness man of sound judgment, possessed of a public spiritedness that makes of him a most desirable citizen for any community. !\Ir. Davies has great faith in Provo·s future, and has recently erected a bca uti f u I Ii tt le modern res idence of seven rooms, nn the bungalow order. An enthusiastic advocate of the city's best interests, he will always be found working faithfully to that end. Of a modest and unassuming nature, his friends arc a legion, and the splendid business that he now enjoys is not due to ability alone, but to the esteem and confidence in which he is held by the community at large. A VIEW IN PROVO'S RESIDENC!c DIS'l'HlCT. TilsAUTIFl r, l! Oi'III•: 010 J. \\'J\T. l,NTGllT. 1 THE BEAUTIFUL HO:\m OF J. LESTEH J\IA!\'GUM. · · · · ' . , . • ,I' \ ~~ : , i i ,· 11 ~~ ,I \ , , T .T . Dav i e s A r ch i t e c t IN c o n t r i b u t i n gt ot h ea r ch i - l j i ! , . t e c t u r a lb eaut yo ft h i sc i ty , t h e n am eo f T. T . D av i e s s t : l l l c l s ou tc o n s p i c u o u s l y . H e h a sd e s i g n e da n ds u p e r i n t e n d ed t h ec o n s t r n ct i o no fm a n yo f o u rm o s t b e au t i f t1 lh om e s and s t1h s t a11 t i a lh t1 s i11 l ' s s h lu ck s ,a s w e l l a sm a n y o t h e rb t1 i ld i11g so f im p o r a n c cth r (1 t1g lw11 tt h eS t a t~ . i \ san a r c h i t e c to fr a r eab i l i ty ,1 l r .D a v i l ' si sm o s t em i n e n t . l i ei s ab u s i n e s sm a n o fs o u n dj u d gm e n t ,p o s s e s s e do f a pub l i cs p i r i t e d n e s st h a tm a k e so fh im a mC J s t d e s i r a b l ec i t i z en fo ra n yc omm u n i t y . 1 \ Ir .l ) a v i e sha sg r e a tf a i thinP r o v o ' sf t1t u r e ,a n dh a sr e c e n t l ye r e c t e d a h c au t i f t1 l l i t t l e m o der11 r e s i d e n c e o f s ev en r o om s , 011 t h e h t1ng a luwo r d e r . An e n t h u s i a s t i ca d v o c a t eo ft h ec i t y ' sh e s t in t e r e s t , ; . h ew i l la lw a y sh ef n t 1 n c l work ing -f a i th fu l lyt ot h a tend . O f a mod e s i a n d un a s sum i11g n a t u r e ,h i sf r i l 'nd s; i r ea 1 , •g ion , an c lt h esp l end id b t1 s in c s st h a th e now en j"y si sn o r du et uab i l i ty a l o 1 1 e,bu tt ot h e e s t e em and c o n f i d e n c e in wh i ch h ei sh l ' l c l l ,y t h ecnmm t1n i ty a t BEAU 'l ' IP UL ll O J \11• ;0 1 • 'J .W l \ l . J . :N lG I IT . ) 1 : t rg r . , , ,v r nwlNf ' t lOVO 'S l t1 · :~ l l ) ! • :Nc1 , ;l l lS ' l ' l l l l ' T . : 1 t ' : · ·•-'~:i!l'4l!'.~,.;,,t~\. ~ ~ ~~~~~~~ f:.;;·c '\< ~~~~ ~~~~ \ ' l . ' ltE t n :AUT J l< ' t J I ,t tO~ I I , ;( J I , 'J .l .1 · :ST l • :11 J \ IANGUJ \ [ . ·r~~~-;/'/:.<?;:,i:f : .. , ~ ~ ~ ~ f , t : : ' . ~ ~ ; ~ i " ~ · ~ ~ ~ { ~ . , ~ ~ ~ ~ ; .· t~:".: . .·);1~::i~t;·:-~.:1.i;i 'tr\·.;?;ii\:C":l:~.\ j<::t\~1i_.\~t~~~~-· ' .~~~} r i i tY : i1 / t ,~ . t1 i : l \~~ i~~~ /{ ' i~ ,& i·:· : ·.:·_t. I , '