Bunraku Theater [003]

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Title Bunraku Theater [003]
Collection Name and Number P0479 Lennox and Catherine Tierney Photo Collection
Photo Number Box 61, Hokusai and other Japanese Printers, 102
Publisher Digitized by J. Willard Marriott Library, University of Utah
Date 1961
Subject Performing arts--Japan--Photographs; Performances--Japan--Photographs; Theaters--Japan--Photographs; Theater--Japan--Photographs; Puppet theater--Japan--Photographs; Puppet plays--Japan--Photographs; Puppets--Japan--Photographs; Men--Japan--Photographs; Puppeteers--Japan--Photographs; Bunraku--Japan--Photographs; Bunraku puppets--Japan--Photographs; Japan; Theater
Keywords Ningyō jōruri; Sannin-zukai; Sanninzukai; Omo-zukai; Omozukai; Hidari-zukai; Hidarizukai; Ashi-zukai; Ashizukai
Spatial Coverage Japan
Description Photo shows bunraku puppet theater in Japan
Caption on Slide The art of puppetry in Japan dates back more than a thousand years and can be traced back in different directions (puppeteers, chanters or samisen players). Therefore, tracing the development and history of Bunraku (ningyo joruri) is complicated. An early precursor can be found in the blind itinerant performers (biwa hoshi) who chanted The Tale of Heike (an epic depicting the Taira-Minamoto war) while accompanied by music (biwa, a type of lute). Later, two men can be credited with bringing about the golden age of ningyo joruri: (chanter) Takemoto Gidayu (1651 - 1714) and (dramatist) Chikamatsu Monzaemon (1653 - 1725). The familiar term "Bunraku" comes from Bunraku-za, a successful 19th century theater established in Osaka, Japan.
Additional Information Image was scanned from color slide. Note: "Three kinds of performers take part in a bunraku performance: Ningyōtsukai or Ningyōzukai-puppeteers; Tayū-the chanters; Shamisen players..."--Wikipedia. Note: Additional information can be found on the web at: http://web-japan.org/factsheet/en/pdf/32Bunraku.pdf Note: [Illustration caption]: "Bunraku's three-man puppet handling system (sannin zukai). The puppeteer on the left (hidarizukai) handles the left arm, the crouching figure (ashizukai) handles the feet, while the chief operate (omozukai), standing on high clogs, handles the head and right arm."--Historical Dictionary of Japanese Traditional Theatre by Samuel L. Leiter. Note: Appears to be similar to images with File Names: theater_bunraku_001, sl_japanesenohdrama100, and sl_japanesenohdrama101.
Type Image
Creator Tierney, Lennox
Rights Management This material may be protected by copyright. Permission required for use in any form. For further information please contact the Multimedia Archivist, Special Collections, J. Willard Marriott Library, University of Utah.
ARK ark:/87278/s68k7szk
Digitization Specifications Original scanned on Nikon Coolscan 5000 and saved as 2700 ppi TIFF. Display image generated in CONTENTdm as JP2000.
Donor Tierney, Lennox; Tierney, Catherine
Setname uum_lctpc
ID 339495
Reference URL https://collections.lib.utah.edu/ark:/87278/s68k7szk
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