Intersection

The unifying theme that runs throughout the paintings in my MF A show is that of space versus form. Light versus darkness and the interaction and relativity of color are secondary themes that I explore in my paintings. The subject matter I have chosen to explore in-depth is the architectural form of freeways and their support structures. I have spent many hours underneath wide expanses of intertwining freeways, photographing the concrete pillars, abutments, ramps, and the underbellies of the freeways themselves. To me, the geometric compositions created by light and dark areas of concrete, as well as the monumentality and monolithic stature of these structures, have a sense of timelessness. From this viewpoint of form, structure, and the surrounding space I create compositions that range from representational to almost completely abstract. I allow the linearity of the subject matter to further influence the image, sometimes forming abstract architectonic planes. Dynamic color comes into play as a tool to allude to areas of both deep and shallow space. I try to achieve an overall sense of balance using values at both ends of the spectrum. As long as I can remember I've been drawn to the rugged strength and fortitude of the architecture of freeways. I am also captivated by the sublime nature of light, the relativity of color, and the concept of space -- both real and psychological. I feel that there is an intrinsic sublime connection between the monolithic freeways of the urban present and the massive stone structures of the religious past. In my paintings I attempt to recombine the elements of space, form, color, and light to elevate a common element of urban life to a loftier aesthetic and conceptual reality. The ultimate goal of my paintings is to bridge the gap between the mundane nature of freeway infrastructures and the sublime mysticism of the medieval stone mason's creation, the Gothic cathedral.