Contents | 41 Total
Interpretation and analysis of three works for the Bassoon
| Title | Interpretation and analysis of three works for the Bassoon |
| School or College | College of Fine Arts |
| Department | Fine Arts |
| Author | Craig, Douglas Brewster |
| Date | 1958 |
| Description | The Concerto for Bassoon and Orchestra in Bb, K. 191, by Mozart, is unique for several reasons. With this work, the bassoon is used for the first time in a fully solo capacity by a major composer; and this composition marks, for Mozart, the beginning of a facility in woodwind writing which was to lead to the most sublime orchestral scoring the world has over known. |
| Type | Text |
| Publisher | University of Utah |
| Dissertation Name | Master of Music |
| Language | eng |
| Rights Management | (c) Douglas Brewster Craig |
| Format | application/pdf |
| Format Medium | application/pdf |
| ARK | ark:/87278/s6nvqnd7 |
| Setname | ir_etd |
| ID | 2398059 |
| Reference URL | https://collections.lib.utah.edu/ark:/87278/s6nvqnd7 |