| Title |
Allegory to the Superiority of Sculpture over Painting |
| Creator |
attributed to Guercino |
| Creator Nationality |
Italian |
| Style Period |
17th Century Art: Southern Europe |
| Creation Date |
before 1621 CE |
| Form |
drawing |
| Medium |
pen, brown ink, brown wash, and black chalk |
| Dimensions |
26.9 x 20.1 cm (10-5/8 x 7-7/8") |
| Repository |
Musée du Louvre, Paris (France) |
| Source |
The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age, by Jacqueline Lichtenstein. Getty Research Institute, Los Angeles, 2008. |
| Work ID |
14001 |
| Rights |
Digital Image Copyright University of Utah |
| ARK |
ark:/87278/s64j3sd9 |
| Setname |
uu_aah_art |
| ID |
39766 |
| Reference URL |
https://collections.lib.utah.edu/ark:/87278/s64j3sd9 |
