Interpretation and analysis of three works for the Bassoon

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Title Interpretation and analysis of three works for the Bassoon
School or College College of Fine Arts
Department Fine Arts
Author Craig, Douglas Brewster
Date 1958
Description The Concerto for Bassoon and Orchestra in Bb, K. 191, by Mozart, is unique for several reasons. With this work, the bassoon is used for the first time in a fully solo capacity by a major composer; and this composition marks, for Mozart, the beginning of a facility in woodwind writing which was to lead to the most sublime orchestral scoring the world has over known.
Type Text
Publisher University of Utah
Dissertation Name Master of Music
Language eng
Rights Management (c) Douglas Brewster Craig
Format application/pdf
Format Medium application/pdf
ARK ark:/87278/s6nvqnd7
Setname ir_etd
ID 2398059
Reference URL https://collections.lib.utah.edu/ark:/87278/s6nvqnd7
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