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Creator | Title | Description | Subject | Date |
| 76 |
 |
Krensky, Beth | Journey (detail) | Medium: ink and thread on giclee print; Dimensions: 18' 7"" x 20"" | | 2007 |
| 77 |
 |
Krensky, Beth | Keys For Houses That Are No More | Form: sculpture; Medium: bronze; Dimensions: (6) each approx. 4 x 2 x 1" | | 2009 |
| 78 |
 |
Krensky, Beth | Keys For Houses That Are No More II | Form: sculpture; Medium: bronze; Dimensions: (6) each approx. 4 x 2 x 1" | | 2009 |
| 79 |
 |
Webster, Maryann Sorensen | Lazarus III (front) | Form: object/sculpture; Medium: porcelain, milagro charms; Dimensions: 13 x 12 x 12"" | | 2006 |
| 80 |
 |
Webster, Maryann Sorensen | Lazarus IV (back) | | | 2008 |
| 81 |
 |
Webster, Maryann Sorensen | Lazarus IV (front) | | | 2008 |
| 82 |
 |
Krensky, Beth | Liberation | Medium: mixed media; Dimensions: 9 x 54 x 8" | | 2002 |
| 83 |
 |
Krensky, Beth | Lineage: Angel, Saint, Bird | Medium: gold leaf on giclee print, engraved glass; Dimensions: 31 x 76 x 1"" | | 2007 |
| 84 |
 |
Martinez, Valerie Kim | Loretta | Oil on aluminum, 48 x 45", from the 'Mujeres de Colores' series | Woman; Painting | |
| 85 |
 |
Webster, Maryann Sorensen | Lost Sea Reliquary | | | 2008 |
| 86 |
 |
Webster, Maryann Sorensen | Lost Sea Reliquary (view inside) | | | 2008 |
| 87 |
 |
Webster, Maryann Sorensen | Lunacy (back) | Form: object/sculpture; Medium: porcelain, glass eyes; Dimensions: 13 x 12 x 13"" | | 2009 |
| 88 |
 |
Webster, Maryann Sorensen | Lunacy (front) | Form: object/sculpture; Medium: porcelain, glass eyes; Dimensions: 13 x 12 x 13"" | | 2009 |
| 89 |
 |
Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
| 90 |
 |
Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
| 91 |
 |
Snapp, Brian | Martini (1) | Martinis -- Art | | 2005 |
| 92 |
 |
Snapp, Brian | Martini (2) | Martinis -- Art | | 2005 |
| 93 |
 |
Snapp, Brian | Martini (3) | Martinis -- Art | | 2005 |
| 94 |
 |
Snapp, Brian | Martini (4) | Martinis -- Art | | 2005 |
| 95 |
 |
Snapp, Brian | Martini (5) | Martinis -- Art | | 2005 |
| 96 |
 |
Snapp, Brian | Martini (6) | Martinis -- Art | | 2005 |
| 97 |
 |
Krensky, Beth | Matriarchs | Form: installation/sculpture; Medium: olive wood, Dead Sea salt; Dimensions: 14 x 60 x 120" | | 2007 |
| 98 |
 |
Chuaqui, Miguel Basim | Meditaci?n | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | | 1997 |
| 99 |
 |
Webster, Maryann Sorensen | Monsanto Pond | | | 2002 |
| 100 |
 |
Webster, Maryann Sorensen | Moth Spirit Reliquary | Form: object/sculpture; Medium: porcelain, china paint; Dimensions: 14 x 13 x 7"" | | 2002 |
