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Creator | Title | Description | Subject | Date |
26 |
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Webster, Maryann Sorensen | Shallow Edge of the Gene Pool II | | | 2007 |
27 |
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Webster, Maryann Sorensen | Lazarus IV (front) | | | 2008 |
28 |
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Webster, Maryann Sorensen | Lazarus IV (back) | | | 2008 |
29 |
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Snapp, Brian | Martini (5) | Martinis -- Art | | 2005 |
30 |
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Snapp, Brian | Martini (6) | Martinis -- Art | | 2005 |
31 |
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Webster, Maryann Sorensen | Mutant Pond with Snake | | | 2005 |
32 |
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Webster, Maryann Sorensen | Monsanto Pond | | | 2002 |
33 |
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Chuaqui, Miguel Basim | Arioso for alto recorder and live electronics [performance materials] | This is a zipped file which contains the following materials for the renedering of this piece for performance, as follows: 1) Chuaqui_Arioso_Max6_Patch_9-9-12 (folder of Max6 Patch files); 2) Chuaqui_Arioso_Patch_9-9-12; 3) Chuaqui_Arioso_Program_Notes_9-9-12.pdf; 4) Chuaqui_Arioso_Score_9-9-12.pdf. | Instrumental music; Electronic music; Chamber music; dataset | 2012-09-09 |
34 |
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Chuaqui, Miguel Basim | Arioso for alto recorder and live electronics [score] | Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ... | Instrumental music; Electronic music; Chamber music | 2012-09-09 |
35 |
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Chuaqui, Miguel Basim; Chaufty, Lisa Marie | Arioso for alto recorder and live electronics [videorecording] | Performed by Lisa Chaufty (recorder) and Miguel Chuaqui (composer) as part of the Sundays@7 concert series, School of Music, The University of Utah. Program Notes from Miguel Chuaqui, the composer: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form ... | Instrumental music; Electronic music; Chamber music | 2012-09-09 |
36 |
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Snapp, Brian | Curing, detail view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
37 |
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Snapp, Brian | Curing, sitting view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
38 |
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Krensky, Beth | Desire | Form: sculpture; Medium: bronze, pigment; Dimensions: 8 x 3 x 3-1/2" | | 2005 |
39 |
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Krensky, Beth | Going to the Other Side | Form: sculpture; Medium: bronze; Dimensions: 10 x 23 x 7" | | 2007 |
40 |
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Krensky, Beth | Hamsa | Form: sculpture; Medium: copper, gold leaf; Dimensions: 36 x 30 x 1/2"" | | 2007 |
41 |
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Snapp, Brian | Present, installation view | Form: installation; Medium: mixed media; Dimensions: variable | Decorative tiles | 2007 |
42 |
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Krensky, Beth | Reliquary I (detail 2) | Form: sculpture; Medium: bronze, gold leaf, mica, tefillin; Dimensions: 14 x 5 x 5" | Tefillin | 2009 |
43 |
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Krensky, Beth | Reliquary III | Form: sculpture; Medium: bronze, gold leaf, mica, Shabbat candles; Dimensions: 14 x 6 x 6" | Mica; Shabbat candles | 2009 |
44 |
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Krensky, Beth | Vestment (detail) | Form: sculpture; Medium: bronze; Dimensions: 5 x 18 x 5" | | 2005 |
45 |
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Krensky, Beth | Tree Amulets | Form: sculpture; Medium: bronze; Dimensions: each approx. 5 x 3-1/2 x 1/4" | | 2007 |
46 |
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Erickson, John Owen | Holy Cow | Form: painting; Medium: oil and latex; Dimensions: 11 x 14" | Painting | 2008 |
47 |
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Krensky, Beth | Icarus Chair | Form: sculpture; Medium: wood, copper, and mixed media; Dimensions: 36 x 17 x 17" | | 2002 |
48 |
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Krensky, Beth | Incantation Bowls | Form: sculpture; Medium: bronze; Dimensions: (2) each 3 x 9 x 9" | | 2007 |
49 |
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Krensky, Beth | Journey | Medium: ink and thread on giclee print; Dimensions: 18' 7"" x 20"" | | 2007 |
50 |
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Krensky, Beth | Matriarchs | Form: installation/sculpture; Medium: olive wood, Dead Sea salt; Dimensions: 14 x 60 x 120" | | 2007 |