UScholar Works
 
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CreatorTitleDescriptionSubjectDate
1 Neimoyer, SusanAfter the rhapsody: George Gershwin in the Spring of 1924The year 1924 was a banner period in the early career of the young George Gershwin. The astonishingly successful premiere of the Rhapsody in Blue with Paul Whiteman's orchestra in 12 February 1924, in some ways made it the year of the Rhapsody. Thanks to the business acumen that prompted Whiteman to...2014-01-01
2 Chuaqui, Miguel BasimArioso for alto recorder and live electronics [score]Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ...Instrumental music; Electronic music; Chamber music2012-09-09
3 Krensky, BethArts-based service-learning: a state of the fieldOver the past two decades, there has been significant academic and public discourse in the United States regarding matters of civic engagement, with particular interest in the behavioral trends demonstrated by young people. Research shows that in the US, young people demonstrated the lowest voti...2008
4 Chuaqui, Miguel BasimBlues ClaroBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
5 Chuaqui, Miguel BasimBlues M?gicoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
6 Chuaqui, Miguel BasimBlues RoncoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
7 Chuaqui, Miguel BasimBlues en el CorazónBlues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al...3 Pieces for Piano; Music2009
8 Chuaqui, Miguel BasimCanto RepartidoEl Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the...Shared Out Song2004
9 Chuaqui, Miguel BasimCasi CuecaI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
10 Chuaqui, Miguel BasimCuarteto ClaroscuroI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi...1997
11 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
12 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
13 Chuaqui, Miguel BasimDe metal y madera: for flute, cello, percussion, and electronics1999
14 Chuaqui, Miguel BasimDesde el LímiteIn Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica...From the Edge; Benedicto Chuaqui; Chilean music2006
15 Chuaqui, Miguel BasimDream SwimScore for work for 2 violins, viola, and 2 cellos.music, score, strings, quintet2011
16 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque musicU School of Music Faculty Concert. Sundays @ 7 Spotlight Concert. "An Evening of Baroque Music." Pamela Palmer Jones, harpsichord. Cheryl Hart, soprano. Lisa Chaufty and Kim Grundvig, recorders. Leslie J. Richards, viola da gamba. Sunday, October 9, 2009. Libby Gardner Concert Hall. 7:00 p.m.2009-10-04
17 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque music
18 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque music
19 Chuaqui, Miguel BasimHyperbole for flute, clarinet, violin, cello, and piano1996
20 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
21 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
22 Chuaqui, Miguel BasimMeditaci?nI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
23 Martinez, Valerie Kim; Coppersmith, Kurt JosephPainting the town, inside and outProcess of creating and painting murals in different locations around Salt Lake City.Trapeze Interactive Poster2010-03-15
24 Chuaqui, Miguel BasimPenumbraI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
25 Chuaqui, Miguel BasimPersistencia de la MemoriaLa Persistencia de la Memoria (The Persistence of Memory) takes its title from the iconic surrealist painting ("The Persistence of Memory") by Salvador Dalí. The flexibility of this work's tempo, unusual for a work in which the electronics are closely coordinated with the live performer, mirrors th...Persistence of Memory; Salvador Dalí2008
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