Filters: Subject:"performance" Department:"Dance" School Or College:"College of Fine Arts" Collection:"ir_etd"
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| Title | Author | Subject | Description | Date | ||
|---|---|---|---|---|---|---|
| 1 |  | Abject/body: A performative perspective on race, gender, and violence in dance | Fairley, Yasin Aziz | Communication and the arts; social sciences; black performance; feminist thought; performance; queer theory; trauma; violence | In the wake of recent events highlighting anti-Black violence in Maryland, New York, Missouri, and other states, I view my performance research as echoed in viral videos displaying real-life accounts of Black bodies violently attacked in public space. The national consciousness on race, gender, and ... | 2017 |
| 2 |  | Dance hacking: digital technology and the performing body | Hardwig, George Scott | dance; digital; performance; screendance; technology | The questions posed in this research involve the massive effects of the cyberrevolution on the human experience of embodiment and identity formation. Our technologies have begun to merge with the human body in new and unforeseen ways, from the development of smartphones, to new advances in Internet ... | 2014-08 |
| 3 |  | An exploration of vulnerability through creative process and performance | Peng, Shih-Ya | Creative process; performance; Vulnerability | This thesis explores the relationship between vulnerable experiences and dance. As artists, why is it important for us to value our vulnerabilities? Through examining or facing our weakness, our true strengths are revealed. In my 3- year MFA studies, I have found that allowing myself to be vulnerabl... | 2012-08 |
| 4 |  | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Ririe, Abigail Marie | choreography; cyborg; dance; disability; performance; technology | The cyborg has been traditionally defined as a being that incorporates both biological and artificial parts. I am interested in expanding this definition, describing the cyborg as a person who is human+, a human being who has been added to, melding their reality with technological innovation for rea... | 2012-05 |
| 5 |  | A collaboration: dance and theatre | Empey, Erin Dorean | Audience; collaboration; dance; performance; theatre | This thesis explores the potential and the origin of dance and theatre as performing arts. I examine the relationship of the audience to performers, discuss the possibility for ritual and the sacred, and develop ideas for meaningful and effective collaboration of theatre and dance. It is through th... | 2011-05 |
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