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|
Title | Creator | Creation Date |
1 |
|
Dinner Party | Judy Chicago | 1979 CE |
2 |
|
S.O.S. Starification Object Series | Hannah Wilke | 1974 - 1982 CE |
3 |
|
S.O.S. Starification Object Series | Hannah Wilke | 1974 CE |
4 |
|
The Advantages of Being a Woman Artist | Guerrilla Girls | 1989 CE |
5 |
|
Throwing My Words into the Wind | Regina José Galindo | 1999 CE |
6 |
|
Who Can Erase the Traces? (detail) | Regina José Galindo | 2003 CE |
7 |
|
We Don't Lose Anything By Being Born | Regina José Galindo | 2000 CE |
8 |
|
S.O.S. Starification Object Series | Hannah Wilke | 1974 CE |
9 |
|
Besieged History | Isabel Ruiz | 1996 CE |
10 |
|
Twins | Lezlie Milson | 2003 CE |
11 |
|
Painting on a Tree | Federico Herrero | 2000 CE |
12 |
|
Hair | Patricia Belli | 2003 CE |
13 |
|
Altarpiece of the Court of Carlos Jiménez | Marisel Jiménez | 1993 CE |
14 |
|
Internal Mirror | Karla Solano | 1996 CE |
15 |
|
Daily Bread | Regina Aguilar | 1999 CE |
16 |
|
Money Talks | Lucía Madriz | 2003 CE |
17 |
|
Home | Karla Solano | 2004 CE |
18 |
|
Body Woman | Emilia Prieto | c. 1934 CE |
19 |
|
Concentration of Feelings Caused by Doubt | Diana de Solares | 2005 CE |
20 |
|
Cover of the Journal "Talingo", from La Prensa (Panama), no. 361 | | April 23, 2000 CE |
21 |
|
Ballerina | Priscilla Monge | 1999 - 2000 CE |
22 |
|
Sleeping | Karla Solano | 2006 CE |
23 |
|
Self Portrait | Rosa Mena Valenzuela | 1970 CE |
24 |
|
III: Vices of the Modern World | Rosa Mena Valenzuela | 1985 CE |
25 |
|
Memories | Xenia Mejía | 1996 CE |
26 |
|
Of Tits and Puppets | Lezlie Milson | 1998 CE |
27 |
|
Death Sentences | Priscilla Monge | 1994 CE |
28 |
|
Home Sweet Home | Ronald Morán | 2004 CE |
29 |
|
Femalia | Patricia Belli | 1996 CE |
30 |
|
Life on your Back | Irene Torrebiarte | 1996 CE |
31 |
|
The Circus | Patricia Belli | 2000 CE |
32 |
|
Untitled | Federico Herrero | 2006 CE |
33 |
|
Home Sweet Home | Ronald Morán | 2004 CE |
34 |
|
Untitled | Nazareth Pacheco | 2001 CE |
35 |
|
Phoenix Bird (detail) | Sandra Monterroso | 1999 CE |
36 |
|
Multifunctional | Lezlie Milson | 2003 CE |
37 |
|
The Vanishing of Lilith | Diana de Solares | 2005 CE |
38 |
|
Post-Parum Document: Documentation VI, Pre-Writing Alphabet, Exergue, and Diary (detail view) | Mary Kelly | 1978 CE |
39 |
|
Interior Scroll (view 2) | Carolee Schneemann | 1975 CE |
40 |
|
Interior Scroll (view 1) | Carolee Schneemann | 1975 CE |
41 |
|
Interior Scroll (view 3) | Carolee Schneemann | 1975 CE |
42 |
|
Dinner Party: Georgia O'Keeffe Place Setting | Judy Chicago | 1979 CE |
43 |
|
Dinner Party: Elizabeth I Place Setting | Judy Chicago | 1979 CE |
44 |
|
Dinner Party: Theodora Place Setting | Judy Chicago | 1979 CE |
45 |
|
Dinner Party: Judith Place Setting | Judy Chicago | 1979 CE |
46 |
|
Dinner Party: Hatsheput setting with runner back | Judy Chicago | 1979 CE |
47 |
|
Dinner Party: Isabella d'Este Plate | Judy Chicago | 1979 CE |
48 |
|
Dinner Party Workers (at Thursday Night Potluck Dinner Celebrating Judy Chicago's 39th Birthday at the Dinner Party Studio) | Judy Chicago | 1978 CE |
49 |
|
Female Rejection Drawing (From the Rejection Quintet) | Judy Chicago | 1974 CE |
50 |
|
Maintenance Art: Pregnant Woman Cleaning a Chicken Foot | Mierle Laderman Ukeles | 1969 CE |
51 |
|
Maintenance Art: Rinsing a B.M. Diaper | Mierle Laderman Ukeles | 1969 CE |
52 |
|
Maintenance Art: Dusting a Baffle | Mierle Laderman Ukeles | 1969 CE |
53 |
|
Maintenance Art: Mopping the Floor | Mierle Laderman Ukeles | 1969 CE |
54 |
|
Dressing to Go Out / Undressing to Come In (detail) | Mierle Laderman Ukeles | 1973 CE |
55 |
|
Post-Partum Document: Documentation IV: Transitional Objects, Diary, and Diagram | Mary Kelly | 1976 CE |
56 |
|
Post-Partum Document: Documentation I: Analyzed Fecal Stains and Feeding Charts | Mary Kelly | 1974 CE |
57 |
|
Post-Partum Document: Documentation IV: Transitional Objects, Diary, and Diagram | Mary Kelly | 1976 CE |
58 |
|
Dinner Party: Margaret Sanger Illuminated Capital Letter | Judy Chicago | 1979 CE |
59 |
|
Dinner Party: Mary Wollstonecraft Runner Back | Judy Chicago | 1979 CE |