|
|
Title | Creator | Creation Date |
| 1 |
 |
A Line Made By Walking | Richard Long | 1967 CE |
| 2 |
 |
A Line in the Himalayas | Richard Long | 1975 CE |
| 3 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 4 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
| 5 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 6 |
 |
Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | Cildo Meireles | 1970 / 1975 CE |
| 7 |
 |
Stained Rag with Blood | Artur Barrio | c. 1969 CE |
| 8 |
 |
Unfolding of the Body Situation, Belo Horizonte | Artur Barrio | April 19-20, 1970 CE |
| 9 |
 |
Exhibition from 0:00 to 24:00 hours | Antonio Manuel | 1973 CE |
| 10 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 11 |
 |
Urban and Rural Situation, from Copacabana Beach to Jacarepagua | Artur Barrio | c. 1970 CE |
| 12 |
 |
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
| 13 |
 |
This Paper is a Jail | Horacio Zabala | 1972 CE |
| 14 |
 |
This Paper is a Prison | Horacio Zabala | 1972 CE |
| 15 |
 |
Hatchet | Horacio Zabala | 1972 - 1998 CE |
| 16 |
 |
Language Integration | Horacio Zabala | 1974 CE |
| 17 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 18 |
 |
Revise / Censor | Horacio Zabala | 1974 CE |
| 19 |
 |
A Breed Apart | Hans Haacke | 1978 CE |
| 20 |
 |
A River Spanned | Lawrence Weiner | 1969 CE |
| 21 |
 |
One Aerosol Can of Enamel Sprayed to Conclusion Directly upon the Floor | Lawrence Weiner | 1968 CE |
| 22 |
 |
Cornered | Adrian Piper | 1988 CE |
| 23 |
 |
Art History | John Baldessari | 1972 CE |
| 24 |
 |
Arte de Sistemas: Jorge de Luján Gutiérrez, Luis Pazos, and Héctor J. Puppo | Jorge de Luján Gutiérrez; Luis Pazos; Héctor J. Puppo | 1971 CE |
| 25 |
 |
Arte de Sistemas: Vicente L. Marotta | Vicente L. Marotta | 1971 CE |
| 26 |
 |
Arte de Sistemas: Mirtha Dermisache | Mirtha Dermisache | 1971 CE |
| 27 |
 |
Arte de Sistemas: Christine Kozlov | Christine Kozlov | 1971 CE |
| 28 |
 |
Arte de Sistemas: Antonio Dias | Antonio Dias | 1971 CE |
| 29 |
 |
Arte de Sistemas: Joseph Kosuth | Joseph Kosuth | 1971 CE |
| 30 |
 |
Arte de Sistemas: Ken Friedman | Ken Friedman | 1971 CE |
| 31 |
 |
Arte de Sistemas: Lea Lublin | Lea Lublin | 1971 CE |
| 32 |
 |
Arte de Sistemas: Jochen Gerz | Jochen Gerz | 1971 CE |
| 33 |
 |
Insertions into Ideological Circuits: Currency Project | Cildo Meireles | 1970 CE |
| 34 |
 |
Arte de Sistemas: Essay by Jorge Glusberg | Jorge Glusberg | 1971 CE |
| 35 |
 |
Arte de Sistemas: Christian Boltanski | Christian Boltanski | 1971 CE |
| 36 |
 |
Arte de Sistemas: Don Celender | Don Celender | 1971 CE |
| 37 |
 |
Arte de Sistemas: Participants | | 1971 CE |
| 38 |
 |
Arte de Sistemas: Juan Pablo Renzi | Juan Pablo Renzi | 1971 CE |
| 39 |
 |
Arte de Sistemas: Less Levine | Less (Les) Levine | 1971 CE |
| 40 |
 |
Arte de Sistemas: Bernar Venet | Bernar Venet | 1971 CE |
| 41 |
 |
Arte de Sistemas: Robert Wittmann | Robert Wittmann | 1971 CE |
| 42 |
 |
Homes for America | Dan Graham | 1966 - 1967 CE |
| 43 |
 |
A Hundred Mile Walk | Richard Long | 1971 - 1972 CE |
| 44 |
 |
River Avon Mud Circle | Richard Long | 1982 CE |
| 45 |
 |
A Line in Scotland, Cul Mor | Richard Long | 1981 CE |
| 46 |
 |
Post-Partum Document: Documentation I: Analyzed Fecal Stains and Feeding Charts | Mary Kelly | February 23, 1974 CE |
| 47 |
 |
Post-Partum Document: Documentation V: Classified Specimens, Proportional Diagrams | Mary Kelly | August 27, 1977 CE |
| 48 |
 |
Post-Parum Document: Documentation VI, Pre-Writing Alphabet, Exergue, & Diary | Mary Kelly | January 25, 1977 CE |
| 49 |
 |
Parangolé, Nildo of Mangueira with P-16 Cape 12, "On Adversity We Thrive" | Hélio Oiticica | 1967 CE |
| 50 |
 |
Grater | Martha Rosler | 1974 - 1978 CE |
| 51 |
 |
Titled (Art as Idea as Idea) (Universal) | Joseph Kosuth | 1967 CE |
| 52 |
 |
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
| 53 |
 |
Unleashing confusion on the streets… situation, Rio de Janeiro | Artur Barrio | 1970 CE |
| 54 |
 |
Iphigenia / Titus Andronicus | Joseph Beuys | 1969 CE |
| 55 |
 |
I Like America and America Likes Me | Joseph Beuys | 1974 CE |
| 56 |
 |
One and Three Chairs | Joseph Kosuth | 1965 CE |
| 57 |
 |
How to Explain Pictures to a Dead Hare | Joseph Beuys | 1965 CE |
| 58 |
 |
First Investigation (series): Art as Idea as Idea: Nothing | Joseph Kosuth | 1967 CE |
| 59 |
 |
Semiotics of the Kitchen | Martha Rosler | 1975 CE |
| 60 |
 |
Abuse of Power Comes as No Surprise | Jenny Holzer | 1983 CE |
| 61 |
 |
5 Gallons Water Base Tempera Paint Poured Directly upon the Floor and Allowed to Remain for the Duration of the Exhibition | Lawrence Weiner | 1969 CE |
| 62 |
 |
The Projects Class: History | David Askevold; Dan Graham | 1969 CE |
| 63 |
 |
Using a Black Hard Crayon, Put Fifty Small Dots, at Random, over the Surface of the Stone. Then Connect Each dot with a Straight Line | Sol LeWitt | 1971 CE |
| 64 |
 |
Two Correlated Rotations | Dan Graham | 1969 CE |
| 65 |
 |
Likes: A Computer Astrological Dating Placement Service | Dan Graham | 1967 - 1969 CE |
| 66 |
 |
The Projects Class: History | David Askevold; N.E. Thing Co. Ltd. | 1969 CE |
| 67 |
 |
The Projects Class: History | David Askevold; Lawrence Weiner | 1969 CE |
| 68 |
 |
5 Works, Page 3 of Exhibition Folder | Lawrence Weiner | 1969 CE |
| 69 |
 |
The Projects Class: History | David Askevold; Sol LeWitt | 1969 CE |
| 70 |
 |
Language ÷ Emotion + Syntax = Message | Les Levine | 1973 CE |
| 71 |
 |
Jig for Robert Ryman's 'Two Stones' on the Press | | |
| 72 |
 |
Within a Twenty Inch Square Area, Using a Black Hard Crayon, Draw Ten Thousand Free-hand Lines, of Any Length, at Random | Sol LeWitt | 1971 CE |
| 73 |
 |
Trademarks | Vito Acconci | 1971 CE |
| 74 |
 |
The Office: A Typewriter Print | Claes Oldenburg | 1974 CE |
| 75 |
 |
The Projects Class: History | David Askevold; Robert Smithson | 1969 CE |
| 76 |
 |
The Projects Class: History | David Askevold; Lucy R. Lippard | 1969 CE |
| 77 |
 |
Murray Lively, shop assistant (left), and Robert Ryman, visiting artist to Lithography Workshop (right) | | |
| 78 |
 |
NSCAD Student Repeatedly Writing "I Will Not Make Any More Boring Art" on Mezzanine Gallery Wall | | |
| 79 |
 |
Arte de Sistemas (Art Systems in Latin America): Héctor Puppo | Héctor Puppo | 1974 CE |
| 80 |
 |
Arte de Sistemas (Art Systems in Latin America): Jorge González Mir | Jorge González Mir | 1974 CE |
| 81 |
 |
Arte de Sistemas (Art Systems in Latin America): Haroldo González | Haroldo González | 1974 CE |
| 82 |
 |
Arte de Sistemas (Art Systems in Latin America): Clemente Padín | Clemente Padín | 1974 CE |
| 83 |
 |
Arte de Sistemas (Art Systems in Latin America): Fernán Meza | Fernán Meza | 1974 CE |
| 84 |
 |
Arte de Sistemas (Art Systems in Latin America): Osvaldo Romberg | Osvaldo Romberg | 1974 CE |
| 85 |
 |
Arte de Sistemas (Art Systems in Latin America): Pablo Obelar | Pablo Obelar | 1973 CE |
| 86 |
 |
Arte de Sistemas (Art Systems in Latin America): Luis Pazos | Luis Pazos | 1974 CE |
| 87 |
 |
Arte de Sistemas (Art Systems in Latin America): Alfredo Portillos | Alfredo Portillos | 1974 CE |
| 88 |
 |
Arte de Sistemas (Art Systems in Latin America): Nicolás Uriburu | Nicolás Uriburu | 1974 CE |
| 89 |
 |
Arte de Sistemas (Art Systems in Latin America): Alejandro Puente | Alejandro Puente | 1974 CE |
| 90 |
 |
Arte de Sistemas (Art Systems in Latin America): Ramírez Amaya | Ramírez Amaya | 1974 CE |
| 91 |
 |
Arte de Sistemas (Art Systems in Latin America): Liliana Porter | Liliana Porter | 1974 CE |
| 92 |
 |
Arte de Sistemas (Art Systems in Latin America): Mari Orensanz | Mari Orensanz | 1974 CE |
| 93 |
 |
Arte de Sistemas (Art Systems in Latin America): Mirta Tocci | Mirta Tocci | 1974 CE |
| 94 |
 |
Arte de Sistemas (Art Systems in Latin America): Amelia Toledo | Amelia Toledo | 1974 CE |
| 95 |
 |
Arte de Sistemas (Art Systems in Latin America): Jorge Silberman | Jorge Silberman | 1974 CE |
| 96 |
 |
Arte de Sistemas (Art Systems in Latin America): Bernardo Salcedo | Bernardo Salcedo | 1974 CE |
| 97 |
 |
Arte de Sistemas (Art Systems in Latin America): Antonio Trotta | Antonio Trotta | 1974 CE |
| 98 |
 |
Arte de Sistemas (Art Systems in Latin America): Clorindo Testa | Clorindo Testa | 1974 CE |
| 99 |
 |
Arte de Sistemas (Art Systems in Latin America): Claudio Tozzi | Claudio Tozzi | 1974 CE |
| 100 |
 |
Arte de Sistemas (Art Systems in Latin America): Juan Carlos Romero | Juan Carlos Romero | 1974 CE |
| 101 |
 |
Arte de Sistemas (Art Systems in Latin America): Ricardo Roux | Ricardo Roux | 1974 CE |
| 102 |
 |
Arte de Sistemas (Art Systems in Latin America): Angelo de Aquino | Angelo de Aquino | 1974 CE |
| 103 |
 |
Arte de Sistemas (Art Systems in Latin America): Mauricio Andres | Mauricio Andres | 1974 CE |
| 104 |
 |
Arte de Sistemas (Art Systems in Latin America): Luis Benedit | Luis Benedit | 1972 CE |
| 105 |
 |
Arte de Sistemas (Art Systems in Latin America): Alvaro Barrios | Alvaro Barrios | 1974 CE |
| 106 |
 |
Arte de Sistemas (Art Systems in Latin America): Horacio Zabala | Horacio Zabala | 1974 CE |
| 107 |
 |
Arte de Sistemas (Art Systems in Latin America): Juan Bercetche | Juan Bercetche | 1974 CE |
| 108 |
 |
Arte de Sistemas (Art Systems in Latin America): Daniel Zelaya | Daniel Zelaya | 1974 CE |
| 109 |
 |
Arte de Sistemas (Art Systems in Latin America): Jacques Bedel | Jacques Bedel | 1974 CE |
| 110 |
 |
Arte de Sistemas (Art Systems in Latin America): Edgardo Vigo | Edgardo Vigo | 1974 CE |
| 111 |
 |
Arte de Sistemas (Art Systems in Latin America): Sergio Camporeale | Sergio Camporeale | 1974 CE |
| 112 |
 |
Arte de Sistemas (Art Systems in Latin America): Antonio Berni | Antonio Berni | 1974 CE |
| 113 |
 |
Arte de Sistemas (Art Systems in Latin America): Horacio D'Alessandro | Horacio D'Alessandro | 1974 CE |
| 114 |
 |
Arte de Sistemas (Art Systems in Latin America): Waldemar Cordeiro | Waldemar Cordeiro | 1972 CE |
| 115 |
 |
Arte de Sistemas (Art Systems in Latin America): Delia Cugat | Delia Cugat | 1974 CE |
| 116 |
 |
Arte de Sistemas (Art Systems in Latin America): Mario Cravo Neto | Mario Cravo Neto | 1974 CE |
| 117 |
 |
Arte de Sistemas (Art Systems in Latin America): Jorge Caraballo | Jorge Caraballo | 1974 CE |
| 118 |
 |
Arte de Sistemas (Art Systems in Latin America): Federico Brook | Federico Brook | 1974 CE |
| 119 |
 |
Arte de Sistemas (Art Systems in Latin America): Antonio Caro | Antonio Caro | 1974 CE |
| 120 |
 |
Arte de Sistemas (Art Systems in Latin America): Gregorio Dujovny | Gregorio Dujovny | 1974 CE |
| 121 |
 |
Arte de Sistemas (Art Systems in Latin America): Mirtha Dermisache | Mirtha Dermisache | 1974 CE |
| 122 |
 |
Arte de Sistemas (Art Systems in Latin America): Jaime Davidovich | Jaime Davidovich | 1974 CE |
| 123 |
 |
Arte de Sistemas (Art Systems in Latin America): Rubens Gerchman | Rubens Gerchman | 1973 CE |
| 124 |
 |
Arte de Sistemas (Art Systems in Latin America): Geny Dignac | Geny Dignac | 1974 CE |
| 125 |
 |
Arte de Sistemas (Art Systems in Latin America): Guillermo Deisler | Guillermo Deisler | 1974 CE |
| 126 |
 |
Arte de Sistemas (Art Systems in Latin America): Carlos Espartaco | Carlos Espartaco | 1974 CE |
| 127 |
 |
Arte de Sistemas (Art Systems in Latin America): Carlos Ginzburg | Carlos Ginzburg | 1974 CE |
| 128 |
 |
Arte de Sistemas (Art Systems in Latin America): Antonio Dias | Antonio Dias | 1974 CE |
| 129 |
 |
Arte de Sistemas (Art Systems in Latin America): Raul Marroquin | Raul Marroquin | 1973 CE |
| 130 |
 |
Arte de Sistemas (Art Systems in Latin America): Leopoldo Maler | Leopoldo Maler | 1974 CE |
| 131 |
 |
Arte de Sistemas (Art Systems in Latin America): Vicente Marotta | Vicente Marotta | 1974 CE |
| 132 |
 |
Arte de Sistemas (Art Systems in Latin America): Rafael Hastings | Rafael Hastings | 1974 CE |
| 133 |
 |
Arte de Sistemas (Art Systems in Latin America): Jorge Glusberg | Jorge Glusberg | 1974 CE |
| 134 |
 |
Arte de Sistemas (Art Systems in Latin America): Marta Minujin | Marta Minujin | 1974 CE |
| 135 |
 |
Arte de Sistemas (Art Systems in Latin America): Victor Grippo | Victor Grippo | 1974 CE |
| 136 |
 |
Arte de Sistemas (Art Systems in Latin America): Jonier Marin | Jonier Marin | 1974 CE |
| 137 |
 |
Arte de Sistemas (Art Systems in Latin America): Lea Lublin | Lea Lublin | 1974 CE |
| 138 |
 |
Arte de Sistemas (Art Systems in Latin America): Bernardo Krasniansky | Bernardo Krasniansky | 1974 CE |
| 139 |
 |
Arte de Sistemas (Art Systems in Latin America): Alberto Heredia | Alberto Heredia | 1974 CE |
| 140 |
 |
A Circle in Alaska | Richard Long | 1977 CE |
| 141 |
 |
Earth | Richard Long | 2009 CE |
| 142 |
 |
A Cloudless Walk | Richard Long | 1995 CE |
| 143 |
 |
La Familia Obrera (Proletarian Family) | Oscar Bony | 1968 CE |
| 144 |
 |
Revolution: Ceiling, Wall, Floor | Hori Kosai | 1971 CE |
| 145 |
 |
Humid Installation | Ana Lupaş | 1970 CE |
| 146 |
 |
Answers of the Experimental Group | Ilya Kabakov | 1970 - 1971 CE |
| 147 |
 |
Kleinpen I (The Small Pen I) | Willem Boshoff | 1979 CE |
| 148 |
 |
Model 1,000 Yen Note Incident: Trial (defensive evidence) | Akasegawa Genpei and Company | 1969 / 1999 CE |
| 149 |
 |
Analogy I | Víctor Grippo | 1970 - 1971 CE |
| 150 |
 |
West African Alphabet (The Bété) | Frédéric Bruly Bouabré | 1982 CE |
| 151 |
 |
Unfinished Dissertation | Boris Mikhailov | 1984 CE |
| 152 |
 |
Fashion Fictions | Eduardo Costa | 1966 - 1969 CE |
| 153 |
 |
The Sea Concerto | Tadeusz Kantor | 1967 CE |
| 154 |
 |
Room (Komnata) No.3, Moscow | Irina Nakhova | 1986 CE |
| 155 |
 |
Color Test | Malcolm Payne | 1973 - 1974 CE |
| 156 |
 |
Invitation to ‘Floor Event' | Hikosaka Naoyoshi | 1971 CE |
| 157 |
 |
Hot Ballot Boxes | Antonio Manuel | 1968 CE |
| 158 |
 |
Colombia / Coca Cola | Antonio Caro | 1976 CE |
| 159 |
 |
DEFL… -situação… +s+… ruas | Artur Barrio | April 1970 CE |
| 160 |
 |
Documents: Ideal Document | Vitaly Komar and Aleksandr Melamid | 1975 CE |
| 161 |
 |
Dialogo (Dialogue of Hands) | Lygia Clark | 1966 CE |
| 162 |
 |
Cast Bottles | OHO Group | 1965 - 1968 CE |
| 163 |
 |
Vivo dito | Alberto Greco | 1962 CE |
| 164 |
 |
Kleinpen I (The Small Pen I) | Willem Boshoff | 1979 CE |
| 165 |
 |
Documents: Ideal Document | Vitaly Komar and Aleksandr Melamid | 1975 CE |
| 166 |
 |
Model 1,000 Yen Note Incident: Trial (defensive evidence) | Akasegawa Genpei and Company | 1969 / 1999 CE |
| 167 |
 |
Hot Ballot Boxes | Antonio Manuel | 1968 CE |
| 168 |
 |
"El arca de noé", o "El árbol embarazador" 15/2/64 | León Ferrari | 1964 CE |
| 169 |
 |
Portable Trench for Three Persons | Tamás Szentjóby | 1969 CE |
| 170 |
 |
Oppressor/Oppressed | Antonio Dias | 1968 CE |
| 171 |
 |
From time to time I stuck my finger through a hole in the door of the Modern Art Gallery without the management's knowledge | Goran Trbuljak | 1969 CE |
| 172 |
 |
Last Year's Snow | Miklós Erdély | 1970 CE |
| 173 |
 |
A Walk by All Roads and Lanes Touching or Crossing an Imaginary Circle | Richard Long | 1977 CE |
| 174 |
 |
This is Not to be Looked At | John Baldessari | 1968 CE |
| 175 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 176 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 177 |
 |
Tree of Money | Cildo Meireles | 1969 CE |
| 178 |
 |
Zero Centavo | Cildo Meireles | 1974 - 1978 CE |
| 179 |
 |
Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
| 180 |
 |
Zero Cruzeiro | Cildo Meireles | 1974 - 1978 CE |
| 181 |
 |
Zero Dollar | Cildo Meireles | 1978 - 1984 CE |
