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Title | Creator | Creation Date |
1 |
 | A Line Made By Walking | Richard Long | 1967 CE |
2 |
 | A Line in the Himalayas | Richard Long | 1975 CE |
3 |
 | Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
4 |
 | Insertions into Ideological Circuits: Coca-Cola Project | Cildo Meireles | 1970 CE |
5 |
 | Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE |
6 |
 | Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | Cildo Meireles | 1970 / 1975 CE |
7 |
 | Stained Rag with Blood | Artur Barrio | c. 1969 CE |
8 |
 | Unfolding of the Body Situation, Belo Horizonte | Artur Barrio | April 19-20, 1970 CE |
9 |
 | Exhibition from 0:00 to 24:00 hours | Antonio Manuel | 1973 CE |
10 |
 | 5 Gallons Water Base Tempera Paint Poured Directly upon the Floor and Allowed to Remain for the Duration of the Exhibition | Lawrence Weiner | 1969 CE |
11 |
 | The Projects Class: History | David Askevold; Dan Graham | 1969 CE |
12 |
 | Using a Black Hard Crayon, Put Fifty Small Dots, at Random, over the Surface of the Stone. Then Connect Each dot with a Straight Line | Sol LeWitt | 1971 CE |
13 |
 | Two Correlated Rotations | Dan Graham | 1969 CE |
14 |
 | Likes: A Computer Astrological Dating Placement Service | Dan Graham | 1967 - 1969 CE |
15 |
 | The Projects Class: History | David Askevold; N.E. Thing Co. Ltd. | 1969 CE |
16 |
 | The Projects Class: History | David Askevold; Lawrence Weiner | 1969 CE |
17 |
 | 5 Works, Page 3 of Exhibition Folder | Lawrence Weiner | 1969 CE |
18 |
 | The Projects Class: History | David Askevold; Sol LeWitt | 1969 CE |
19 |
 | Language ÷ Emotion + Syntax = Message | Les Levine | 1973 CE |
20 |
 | Jig for Robert Ryman's 'Two Stones' on the Press | | |
21 |
 | Within a Twenty Inch Square Area, Using a Black Hard Crayon, Draw Ten Thousand Free-hand Lines, of Any Length, at Random | Sol LeWitt | 1971 CE |
22 |
 | Trademarks | Vito Acconci | 1971 CE |
23 |
 | The Office: A Typewriter Print | Claes Oldenburg | 1974 CE |
24 |
 | The Projects Class: History | David Askevold; Robert Smithson | 1969 CE |
25 |
 | The Projects Class: History | David Askevold; Lucy R. Lippard | 1969 CE |