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Title | Creator | Description | Department | Date |
126 |
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Dormiens vigils (while sleeping, watch) | Webster, Maryann S. | Dreams about a disappearing ecosystem and an increasing awareness of the fragile nature of our existence inspired the eighteen works in this exhibition. These works express a deepened concern through understanding of life and nature as fragile, precious and sacred. I have interpreted the gallery s... | Art/Art History | 2001-05 |
127 |
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Emanuel de Witte's market scenes reexamined: an analysis in economic studies and material culture | Stout, Jeffrey Dale | Emanuel de Witte (1617-1691/92) is generally considered the finest Dutch architectural painter of the seventeenth century. Scholars have focused almost exclusively on De Witte's paintings of church interiors; however, De Witte produced a number of exceptional market scenes that have gone relatively ... | Art/Art History | 2006-12 |
128 |
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The endurance of memory | Charles, James | My Master of Fine Arts exhibition consisted of nine prints and five mixed-media paintings. A variety of print making techniques were used. Photographic elements were incorporated with a Xerox-transfer method. The mixed-media paintings were done with traditional and nontraditional materials. My ... | Art/Art History | 1998-03 |
129 |
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Evolutionary intuition | Barton, Kent J. | This body of work is the result of exploring new directions. The desire to push and to open myself to new information has always been my driving force. Making these forms required me to work and think about clay in a different way, building on my vocabulary with the material. Producing this series... | Art/Art History | 2002-05 |
130 |
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Exhaling the earth | Hedrick, Antonia | My Master of Fine Art exhibit consisted of nine translucent, fiberglass body shells installed with seven graduated photographs, four sculptural briefcases, five oil on canvas paintings, and 40 home-made artifacts in plexiglass boxes. I completed this chronology of works during two years of gradua... | Art/Art History | 1997-06 |
131 |
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Exploration of the art object | DeCola, Jacob Nicholas | I am a sculptor who works with materials, an object maker concerned with both physical and conceptual process. A critical part of my method of working is to allow a record of this process to exist in the finished sculptures. Perhaps the most difficult and rewarding part of my graduate experien... | Art/Art History | 2001-08 |
132 |
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Factitious | Lewis J. Crawford | This paper is a journey into how I discovered the word factitious and re-defmed it for my artistic practice. I have broken down the paper into four different chapters that explore and explain this process. "Narrative Is Necessary," the first chapter, discusses the history of my research on narrati... | Art/Art History | 2009-05 |
133 |
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Final project paper | Smolarkiewicz, Zuzanna Joanna | The examination of personal identity inevitably leads to questions - the most common of which is what enables the perpetuation of the self. Who am 7? Am I myself because of my past, my present, or what I hope for in my future? Or does my identity emerge from my personal relationships with others,... | Art/Art History | |
134 |
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Final project paper | Carpenter, Tara | My work explores the way people form connections, both inside their brains, and with other people. Neurologist Joseph LeDoux says, "The particular patterns of synaptic connections in an individual's brain, and the information encoded by these connections are the keys to who that person is" (3). In o... | | |
135 |
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The four graces | Ashby, M. Grace | The Four Graces is the culmination of two years of graduate work in the Department of Art and Art History at the University of Utah. All but three pieces in my MFA exhibit were inspired by early- to mid-Twentieth-Century photography. It was the space and the placement of the figures that I wanted t... | Art/Art History | 2004-12 |
136 |
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Four stage & 3 months in-between | Romo, Vanessa | Time stops right before change occurs. As you cease to exist in your usual state of mind, you find yourself alone, reflecting, and ask what lies ahead? This sliver in time feels like a terminal. Years pass and you move far from the moment you thought was the death of newness. It becomes a distant pa... | Art/Art History | 2017-07 |
137 |
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Gather-piece-stitch: the art of place | Downen, Céline | Philosopher Gaston Bachelard celebrates the "naive wonder we used to feel when we found a nest. This wonder is lasting, and today when we discover a nest it takes us back to our childhood or, rather, to a childhood; to the childhoods we should have had." I use the nest as a metaphor in my art with t... | Art and Art History | 2016 |
138 |
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Gather-piece-stitch: The art of place | Downen, Celine | Philosopher Gaston Bachelard celebrates the "naive wonder we used to feel when we found a nest. This wonder is lasting, and today when we discover a nest, it takes us back to our childhood or, rather, to a childhood; to the childhoods we should have had." I use the nest as a metaphor in my art with... | Art/Art History | 2016 |
139 |
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Hand to mouth | Ramachandran, Sylvia Meena | Just as we make tools to try to overcome our limitations, we make gestures to try to connect with people and things beyond ourselves. In this exhibition, I consider the utensil as a poetic extension of the body. The work follows a decade of contemplating the meaningfulness of daily tasks and of th... | Art/Art History | 2006-08 |
140 |
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The hat people | Kimball, Patricia | The paintings in this exhibit are the result of two years of exploration dealing initially with landscape and then primarily with the figure. Looking back, the challenges were similar regardless of subject: first, how to expand the subject beyond an "objective" reality more or less faithfully r... | Art/Art History | 2001-05 |
141 |
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