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Title | Date | Type | Setname |
| 1 |
 |
"Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | 2017 | Text | ir_etd |
| 2 |
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(UN)Known Origin | 2017 | Text | ir_htoa |
| 3 |
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Abigail Bowe: Art Portfolio 2020 Life Drawings and Character Design | 2020 | Text | ir_htoa |
| 4 |
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After the rhapsody: George Gershwin in the Spring of 1924 | 2014-01-01 | Text | ir_uspace |
| 5 |
 |
Anthropology, Ethnography, and Documentary Film: Reflecting on a Documentary Journey | 2018 | Text | ir_htoa |
| 6 |
 |
Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | 2017 | Text | ir_etd |
| 7 |
 |
Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | Text | ir_etd |
| 8 |
 |
Automatic Processing Pitfalls | 2016 | Text | ir_mfafp |
| 9 |
 |
Back to Bagatelles: Realizing the Remainder of Ligett's Musica Ricercata | 2019 | Text | ir_htoa |
| 10 |
 |
Be somewhere | 2017-05 | Text | ir_mfafp |
| 11 |
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Becoming incredible: healing trauma through performance | 2015-08 | Text | ir_etd |
| 12 |
 |
Beyond classical: mixing in the belt. An exploration of musical theatre singing | 2015-08 | Text | ir_htoa |
| 13 |
 |
Bifurcate: Intersections and Photography | 2015-04 | Text; Image | ir_etd |
| 14 |
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The big unknown | 2016-08 | Text; Image | ir_mfafp |
| 15 |
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Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | 2014-08 | Text | ir_etd |
| 16 |
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The body expresses: a study on the relationship between motion and emotion | 2019 | Text | ir_etd |
| 17 |
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Challenges in Playing the Flute and Their Specfiic Application to Solo Flute Literature | 2016 | Text | ir_htoa |
| 18 |
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Chester, NJ for full orchestra and electronics and the chromatic scale and other iterative loops in beat furrer's Konzert fur Klavier und Orchester | 2016 | Text | ir_etd |
| 19 |
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Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | 2016 | Text | ir_etd |
| 20 |
 |
The commune in commodities: Bruno braquehais's photography of the Paris commune of 1871 | 2021 | Text | ir_htoa |
| 21 |
 |
The communicative power of laughter in modern dance | 2015-12 | Text | ir_etd |
| 22 |
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Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | Text | ir_etd |
| 23 |
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Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection | 2018 | Text | ir_etd |
| 24 |
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Dance as Activism: Exploring Gun Violence Through Movement and Text | 2019 | Text | ir_htoa |
| 25 |
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Dance hacking: digital technology and the performing body | 2014-08 | Text | ir_etd |
| 26 |
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Dance movement therapy: transforming psychological trauma into growth | 2019 | Text | ir_etd |
| 27 |
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Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | 2015-05 | Text | ir_etd |
| 28 |
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Defining Ballet: How the Culture Shapes the Expression of Art | 2017 | Text | ir_htoa |
| 29 |
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Designing for Interactivity: the Camera in 3D Video Games | 2019 | Text | ir_htoa |
| 30 |
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The development of allegro: exploring how music, throught predagogical practices in ballet class, can have lasting effects on a dancer | 2019 | Text | ir_etd |
| 31 |
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Education, art and Activism: Collecting the Stories of World-Changers | 2020 | Text | ir_htoa |
| 32 |
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The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores | 2019 | Text | ir_etd |
| 33 |
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Embodying eclecticism from potential to actualization | 2014-08 | Text | ir_etd |
| 34 |
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Exploring personal truth: staging a theatre of the body | 2017 | Text | ir_etd |
| 35 |
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Faustus, Marlowe, and Bosch: Intersections of medieval fantasy imagery | 2015-04 | Text | ir_htoa |
| 36 |
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Federal Education Reform and Music Education: a Review of the Literature and Implications for the Future | 2018 | Text | ir_htoa |
| 37 |
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Finding a character | 2014-05 | Text | ir_htoa |
| 38 |
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Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | Text | ir_etd |
| 39 |
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Four stage & 3 months in-between | 2017-07 | Text | ir_mfafp |
| 40 |
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From tremor to movement: a choreographic process with fitzmaurice voicework | 2016 | Text | ir_etd |
| 41 |
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Gather-piece-stitch: The art of place | 2016 | Text | ir_mfafp |
| 42 |
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Generative Spaces | 2023 | Text | ir_etd |
| 43 |
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Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | 2015-08 | Text | ir_etd |
| 44 |
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Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | 2015-05 | Text | ir_etd |
| 45 |
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Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | Text | ir_etd |
| 46 |
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Heartstrung: a choreographic expedition into the Queer female experience | 2022 | Text | ir_htoa |
| 47 |
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Herbarium obscura: shadow of nature | 2016 | Text; Image | ir_mfafp |
| 48 |
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The history and legacy of the "Russian" violin bow hold | 2021 | Text | ir_htoa |
| 49 |
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Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | 2015 | Text | ir_etd |
| 50 |
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The hopefuls: growing sideways in the choreographic process | 2017 | Text | ir_etd |
| 51 |
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The horror of sexual violence: The representations of rape in American horror story | 2014-05 | Text | ir_htoa |
| 52 |
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How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity | 2014 | Text | ir_htoa |
| 53 |
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How Much of What We Did Was Good? | 2019 | Text | ir_htoa |
| 54 |
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The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird | 2015-08 | Text | ir_etd |
| 55 |
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Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd |
| 56 |
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Keyframe: Six Images for Jazz Sextet and String Quartet | 2020 | Text | ir_htoa |
| 57 |
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The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | 2016 | Text | ir_etd |
| 58 |
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The language of fibers: how movement emerges from space harmony theory and architecture | 2016 | Text | ir_etd |
| 59 |
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Love, and 1,138 other reasons to marry | 2016-04 | Text | ir_htoa |
| 60 |
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Made in heaven? when art and pornography share a bed | 2019 | Text | ir_htoa |
| 61 |
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Making 360 and representing the aesthetics of nostalgia through documentary | 2021 | Text | ir_htoa |
| 62 |
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Making Diego's Dream | 2017 | Text | ir_htoa |
| 63 |
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Mathematical Foundations of Atonal Music Theory | 2018 | Text | ir_htoa |
| 64 |
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Metamorphosis: radically imagining the body through collage and the grotesque | 2016 | Text | ir_etd |
| 65 |
 |
MFA exhibition | 2017-09 | Text | ir_mfafp |
| 66 |
 |
Modern representation of female protagonists in media: An exploration of identity | 2014-12 | Text | ir_htoa |
| 67 |
 |
Movie Night: a creative analysis | 2021 | Text | ir_htoa |
| 68 |
 |
Mudafossil | 2016 | Text | ir_htca |
| 69 |
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Multicultural: Facts and findings from the two years I spent living under a microscope | 2017-12 | Text | ir_mfafp |
| 70 |
 |
Music integration as part of an arts integration initiative: a closer look at implications for the music educator | 2016 | Text | ir_etd |
| 71 |
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Notes and a narrative to accompany a piano recital | 2015-05 | Text | ir_htoa |
| 72 |
 |
Nothing but me: a study of identity through choreography, performance, and education | 2015-08 | Text | ir_etd |
| 73 |
 |
Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History | 2016-08 | Text | ir_htoa |
| 74 |
 |
Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | 2015-08 | Text | ir_etd |
| 75 |
 |
The original: A process of producing a short film | 2014-12 | Text | ir_htoa |
| 76 |
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Pins, felt, and cloth: performing Mormon feminism | 2014-05 | Text | ir_etd |
| 77 |
 |
Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | Text | ir_etd |
| 78 |
 |
Popular music and public education: Culturally responsive to the past and present alike | 2016-04 | Text | ir_htoa |
| 79 |
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Power, panopticism, and pilgrimage: the image program at conques | 2018 | Text | ir_etd |
| 80 |
 |
Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | Text | ir_etd |
| 81 |
 |
The Production Process of a Traditional Animated Short Film | 2020 | Text | ir_htoa |
| 82 |
 |
Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | 2016 | Text | ir_etd |
| 83 |
 |
Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | Text | ir_etd |
| 84 |
 |
Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | 2016 | Text | ir_etd |
| 85 |
 |
Reimagining the West | 2017 | Text | ir_etd |
| 86 |
 |
Salad Days: work, covenant, and the child | 2017 | Text | ir_etd |
| 87 |
 |
The search for individuality in the choreographic process | 2014-08 | Text | ir_etd |
| 88 |
 |
SHOTS FIRED | 2017 | Text | ir_htoa |
| 89 |
 |
Situating Helen Frankenthaler's Wizard | 2014-05 | Text | ir_etd |
| 90 |
 |
Sociality of honey bees: creative studies for the dance studio | 2019 | Text | ir_etd |
| 91 |
 |
Stockham: the father of digital audio recording | 2015-04 | Text; Image/MovingImage | ir_etd |
| 92 |
 |
Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | 2016 | Text | ir_etd |
| 93 |
 |
Terminal structures: Ant Farm's Cadillac Ranch, 1974 | 2014-08 | Text | ir_etd |
| 94 |
 |
Time and light souvenirs | 2014-12 | Text | ir_htoa |
| 95 |
 |
Towards a decided body and choreography | 2015-08 | Text | ir_etd |
| 96 |
 |
Travel in dance education: what's the pointe? | 2014-05 | Text | ir_htoa |
| 97 |
 |
Two of Saariaho's harmonic principles and their influences on formal design and a selection of General Zhang's limericks for baritone, men's choir and chamber orchestra | 2018 | Text | ir_etd |
| 98 |
 |
Two reflections on the capitol insurrection | 2023 | Text | ir_htoa |
| 99 |
 |
The Unassuming Subversion of Jacksonian-ERA Democracy: An Analysis of Mary Edmonia Lewis's Minnehaha and Hiawatha of 1868 | 2019 | Text | ir_htoa |
| 100 |
 |
Unpredictable logic: the ongoing process of forming an aesthetic language through randomness | 2019 | Text | ir_etd |
| 101 |
 |
Using Rudolf Laban's effort system as an inroad to choreography | 2015-05 | Text | ir_etd |
| 102 |
 |
Variations on a recitative for organ, OP. 40 by Arnold Schoenberg: a new performance edition for two organists | 2019 | Text | ir_etd |
| 103 |
 |
Vision/Revision | 2019 | Text | ir_etd |
| 104 |
 |
We gender: and so can you! | 2017 | Text | ir_etd |
| 105 |
 |
What are we teaching? The translation of exoticism as pedagogy in Schumann and Tchaikovsky | 2016-05 | Text | ir_htoa |
| 106 |
 |
What We tell Children: Queer Representation in Children's Animation | 2018 | Text | ir_htoa |
| 107 |
 |
Wild, wild love: Developing new work for the stage | 2015-04 | Text; Image/MovingImage | ir_htca |
| 108 |
 |
The Window Control and Catharsis | 2019 | Text | ir_htoa |
| 109 |
 |
Wynton Marsalis and Nicholas Payton: a compartative discourse | 2018 | Text | ir_htoa |
| 110 |
 |
Yin Yu Tang and the effects of re-contextualization on vernacular architecture | 2016-04 | Text | ir_htoa |
| 111 |
 |
You Do You: A Theoretical Exploration of Audience Agency in Theatre | 2017 | Text | ir_htoa |
| 112 |
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You do you: A theoretical exploration of audience agency in theatre | 2017 | Text | ir_uspace |
| 113 |
 |
Zen from religiosity to corporeality to spirituality in dance | 2019 | Text | ir_etd |
| 114 |
 |
The Zion curtain: A documentary play | 2014-04 | Text | ir_htoa |
