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CreatorTitleDescriptionSubjectDate
1 Neimoyer, SusanAfter the rhapsody: George Gershwin in the Spring of 1924The year 1924 was a banner period in the early career of the young George Gershwin. The astonishingly successful premiere of the Rhapsody in Blue with Paul Whiteman's orchestra in 12 February 1924, in some ways made it the year of the Rhapsody. Thanks to the business acumen that prompted Whiteman to...2014-01-01
2 Chuaqui, Miguel BasimArioso for alto recorder and live electronics [performance materials]This is a zipped file which contains the following materials for the renedering of this piece for performance, as follows: 1) Chuaqui_Arioso_Max6_Patch_9-9-12 (folder of Max6 Patch files); 2) Chuaqui_Arioso_Patch_9-9-12; 3) Chuaqui_Arioso_Program_Notes_9-9-12.pdf; 4) Chuaqui_Arioso_Score_9-9-12.pdf.Instrumental music; Electronic music; Chamber music; dataset2012-09-09
3 Krensky, BethArts-based service-learning: a state of the fieldOver the past two decades, there has been significant academic and public discourse in the United States regarding matters of civic engagement, with particular interest in the behavioral trends demonstrated by young people. Research shows that in the US, young people demonstrated the lowest voti...2008
4 Chuaqui, Miguel BasimBlues ClaroBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
5 Chuaqui, Miguel BasimBlues en el CorazónBlues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al...3 Pieces for Piano; Music2009
6 Chuaqui, Miguel BasimBlues M?gicoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
7 Chuaqui, Miguel BasimBlues RoncoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
8 Chuaqui, Miguel BasimCanto RepartidoEl Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the...Shared Out Song2004
9 Chuaqui, Miguel BasimCasi CuecaI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
10 Chuaqui, Miguel BasimCuarteto ClaroscuroI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi...1997
11 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
12 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
13 Chuaqui, Miguel BasimDe metal y madera: for flute, cello, percussion, and electronics1999
14 Chuaqui, Miguel BasimDesde el LímiteIn Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica...From the Edge; Benedicto Chuaqui; Chilean music2006
15 Chuaqui, Miguel BasimDream SwimScore for work for 2 violins, viola, and 2 cellos.music, score, strings, quintet2011
16 Chuaqui, Miguel BasimHyperbole for flute, clarinet, violin, cello, and piano1996
17 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
18 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
19 Chuaqui, Miguel BasimMeditaci?nI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
20 Martinez, Valerie Kim; Coppersmith, Kurt JosephPainting the town, inside and outProcess of creating and painting murals in different locations around Salt Lake City.Trapeze Interactive Poster2010-03-15
21 Chuaqui, Miguel BasimPenumbraI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
22 Chuaqui, Miguel BasimPersistencia de la MemoriaLa Persistencia de la Memoria (The Persistence of Memory) takes its title from the iconic surrealist painting ("The Persistence of Memory") by Salvador Dalí. The flexibility of this work's tempo, unusual for a work in which the electronics are closely coordinated with the live performer, mirrors th...Persistence of Memory; Salvador Dalí2008
23 Chuaqui, Miguel BasimSalmo 139Choral music work in Spanish based on Psalm 139.music, SSATB Choir2009
24 Chuaqui, Miguel BasimSaturnianaScore for work for bass trombone and electronics.music, trombone, electronics2009
25 Chuaqui, Miguel BasimSonora RunSonora Run is a 7 minute work for orchestra dedicated to the memory of the Chilean writer Roberto Bolaño. Although his novels take the reader all over the world, the Mexican state of Sonora and the Sonoran desert play a central role in several of his works, including his acclaimed major works, The...Roberto Bolaño; Sonora Mexico2006
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