Filters: School Or College: "College of Fine Arts" Collection: "ir_uspace" Format: "application/pdf"
| Creator | Title | Description | Subject | Date | ||
|---|---|---|---|---|---|---|
| 1 |
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After the rhapsody: George Gershwin in the Spring of 1924 | The year 1924 was a banner period in the early career of the young George Gershwin. The astonishingly successful premiere of the Rhapsody in Blue with Paul Whiteman's orchestra in 12 February 1924, in some ways made it the year of the Rhapsody. Thanks to the business acumen that prompted Whiteman to... | 2014-01-01 | ||
| 2 |
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Ancient wing for solo flute | Archaeopteryx (Ancient Wing) was a prehistoric animal, presumably the "missing link" between reptiles and birds. I portrayed the dual nature of the animal by writing music that represents it both as a lizard-like motionless reptile, suddenly scuttling through the forest, as well as an ungainly bird,... | 1998 | ||
| 3 |
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Arioso for alto recorder and live electronics [score] | Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ... | Instrumental music; Electronic music; Chamber music | 2012-09-09 | |
| 4 |
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Arts-based service-learning: a state of the field | Over the past two decades, there has been significant academic and public discourse in the United States regarding matters of civic engagement, with particular interest in the behavioral trends demonstrated by young people. Research shows that in the US, young people demonstrated the lowest voti... | 2008 | ||
| 5 |
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Blues Claro | Blues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all... | 3 Pieces for Piano; Music | 2009 | |
| 6 |
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Blues M?gico | Blues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all... | 3 Pieces for Piano; Music | 2009 | |
| 7 |
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Blues Ronco | Blues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all... | 3 Pieces for Piano; Music | 2009 | |
| 8 |
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Blues en el Corazón | Blues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al... | 3 Pieces for Piano; Music | 2009 | |
| 9 |
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California preschool curriculum framework, Volume 2 | I am pleased to present the California Preschool Curriculum Framework, Volume 2, a publication I believe will be a major effort in working to close the school-readiness gap for young children in our state. Created as a companion to the California Preschool Learning Foundations, this framework presen... | 2011-01-01 | ||
| 10 |
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Canto Repartido | El Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the... | Shared Out Song | 2004 | |
| 11 |
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Casi Cueca | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | 1997 | ||
| 12 |
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Cuarteto Claroscuro | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi... | 1997 | ||
| 13 |
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Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 | |
| 14 |
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Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 | |
| 15 |
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De metal y madera: for flute, cello, percussion, and electronics | 1999 | |||
| 16 |
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Desde el Límite | In Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica... | From the Edge; Benedicto Chuaqui; Chilean music | 2006 | |
| 17 |
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Dream Swim | Score for work for 2 violins, viola, and 2 cellos. | music, score, strings, quintet | 2011 | |
| 18 |
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Evening of baroque music | ||||
| 19 |
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Evening of baroque music | U School of Music Faculty Concert. Sundays @ 7 Spotlight Concert. "An Evening of Baroque Music." Pamela Palmer Jones, harpsichord. Cheryl Hart, soprano. Lisa Chaufty and Kim Grundvig, recorders. Leslie J. Richards, viola da gamba. Sunday, October 9, 2009. Libby Gardner Concert Hall. 7:00 p.m. | 2009-10-04 | ||
| 20 |
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Evening of baroque music | ||||
| 21 |
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Hyperbole for flute, clarinet, violin, cello, and piano | 1996 | |||
| 22 |
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Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 | |
| 23 |
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Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 | |
| 24 |
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Meditaci?n | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | 1997 | ||
| 25 |
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Painting the town, inside and out | Process of creating and painting murals in different locations around Salt Lake City. | Trapeze Interactive Poster | 2010-03-15 |