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| Date | Creator | Title | Subject | ||
|---|---|---|---|---|---|
| 1 |
 |
2016 | Tran, Dalena | Mudafossil | |
| 2 |
 |
1994 | Winegar, Suzanne | The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 15 | Beethoven, Ludwig van, 1770-1827; Schnabel, Artur, 1882-1951; Concertos (Piano) -- History and criticism |
| 3 |
 |
1983 | Urry, Joni Dawn | Low back pain and it's significant relationship to inelasticity in the hip flexing musculature : a preliminary study | Backache |
| 4 |
 |
1980 | Sumrall, Nina Gail | Yvonne Chouteau and Miguel Terekhov : their careers and contributions to ballet | Dancer; Biography |
| 5 |
 |
1963 | Smith, Donna Jean | Ritual and Myth in the meaning of tragedy | Tragedy |
| 6 |
 |
1967 | Saffle, Michael Benton | An examination of Francesco geminiani's six concerti grossi, OPUS 3 | Concerti grossi; Analysis, appreciation |
| 7 |
 |
1994-06 | Price, Sarah jean | Joe Hill: A visual exploration of the myth and the man | Hill, Joe, 1879-1915 -- Portraits; Portrait prints -- Utah -- Salt Lake City |
| 8 |
 |
1991-06 | Newman, John Dilworth | DeGrunchy's Mantle a pastoral in blank verse | Original theatre |
| 9 |
 |
2000-08 | Mortensen, Richard Franklin | A musical mono-drama The Mind's Eye | Musicals |
| 10 |
 |
1977-06-10 | Nielson, Camille | Katherine Anne Porter: Five southern stories | Porter, Katherine Anne, 1890-1980 -- Criticism and interpretation |
| 11 |
 |
1988-06 | Nelson, Julie Ann | Music and management: Using concepts of music to teach principles of management | Music in the workplace; Management |
| 12 |
 |
1985-06 | Maxwell, Carrie | Songsense: The emerging synthesis of civilization | Thought and thinking; Civilization |
| 13 |
 |
1982-04-13 | Lichfield, Kathryn | A selective history of portraiture | Portrait painting |
| 14 |
 |
1991-06 | Knox, Willard Robinson | The marrow of the bone: An actor's process and privilege | Taylor, Cecil P., 1929-1981. Good; Theater -- Production and direction |
| 15 |
 |
1994-06 | Joyner, Danielle Beth | Fashion dualism: Practical versus conceptual | Utah Museum of Fine Arts; Clothing and dress -- History |
| 16 |
 |
1972-03-31 | Hurst, Janet Leigh | The many facets of ballet | Ballet |
| 17 |
 |
1963-06 | Frazier, Francis Ivan | The piano works of Claude Debussy: A critical analysis | Debussy, Claude, 1862-1918 - Criticism and interpretation |
| 18 |
 |
1995-12 | Fife, Elisabeth Catherine | The gum bichromate process | Photography - Printing processes - Gum-bichromate; Photography, Artistic |
| 19 |
 |
1995-08 | Curtis, Chame | French violoncello music of the late nineteenth and early twentieth centuries | Saint-Saëns, Camille, 1835-1921. Carnaval des animaux. Cygne; Saint-Saëns, Camille, 1835-1921. Allegro appassionato, cello, piano; Fauré, Gabriel, 1845-1924. Elegy, cello, piano, op. 24; Fauré, Gabriel, 1845-1924. Sicilianas, cello, piano, op. 78, G minor; Ravel, Maurice, 1875-1937. Vocalise... |
| 20 |
 |
1987-05 | Beyer, William Davis | Don Quixote: The art of interpretation | Cervantes Saavedra, Miguel de, 1547-1616. Don Quixote; Don Quixote (Choreographic work) |
| 21 |
 |
1995-08 | Bigler, Arnold Ryan | Frankenstein: A dramatic adaptation | Frankenstein, Victor (Fictitious character) - Drama; Frankenstein's monster (Fictitious character ) - Drama |
| 22 |
 |
1998-12 | Beckstead, Alexander Cash | Historical survey and application of cinema filmmkaing | Experimental films |
| 23 |
 |
1998-05 | Armstrong, Daniel | The Araner: an original screenplay | Ford, John, 1894-1973 - Drama |
| 24 |
 |
2015-04 | Brown, Michael Thompson | Wild, wild love: Developing new work for the stage | Theatre; Playwriting; Theatre performance |
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