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| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 1 |
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Azuma, Mariko | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | thesis | |
| 2 |
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Jacobs, David Kent | Three creative projects in directing: an original play, a scripted film, a documentary film | College and school drama; Theater -- Production and direction; Documentary films -- Utah -- Salt Lake City; Latter Day Saint churches -- Welfare program, History -- 20th century | 1974-12 | dissertation |
| 3 |
 |
Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis |
| 4 |
 |
Jenson, Neil Calvin | A personal philosophy: its basis and implications | Art; Philosophy | 1970 | thesis |
| 5 |
 |
Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis |
| 6 |
 |
McGrew, Christy Rae | Performativity and identity in the illuminated photographs of the Countess de Castiglione | Art history | 2013 | thesis |
| 7 |
 |
Hawks, Aubrey Marie | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | confession; Contemporary art; Mexico; technology; women's labor | 2016 | thesis |
| 8 |
 |
Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |
| 9 |
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Maguire, Patrick | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | Ant farm; Cadillac ranch; Land art; Minimalism; Monument; Sculpture | 2014-08 | thesis |
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